*set chapter_ra 2
*temp wallgame_winning false
*temp carriageride 4
*temp trevelyanspeech 5
*temp hyacinthedance 5
*temp at_like false
*temp dc_like false
*temp sc_like false
*temp queenletter 5
*comment 1 = glamorous, 2 = revealing, 3 = proper, 4 = scruffy, 5 = no change
*temp outfit_ch2_ra 6
*comment 1 = not into the arts, 2 = like it but don't get it, 3 = love them
*temp arts_opinion 4

*text_image chap_2.png center Chapter 2: In A Class Of Your Own

[b]$!{pc_title} $!{raname} Of Westerlin "Delighted" To Learn Outside Palace Life, Says Queen Estell[/b]
*line_break
[i]-Daily Letters[/i]

Between rushing from class to class and back again, and getting used to all the new faces, your first fortnight at Archambault Academy passes quickly. It's different, dealing with teachers and fellow students rather than learning from a tutor alone or with your siblings, and the whole thing is truly noisier than you're used to.

Mostly, it's Vere and Clemence who are in charge of you and the other Vercher House students, focusing on Politics and Natural Science, since final-years are expected to have mastered the basics already. But you do have other sessions in between with students from Ursel House which are larger affairs: Literature, Mathematics, History, and a variety of other lessons for young leaders. For those, @{teachers_arch sometimes you're taught by Sinclair, a tall gentleman with a habitual frown, and sometimes Cezara, a woman in her late twenties who tends to look amused with whatever's going on. Raphael, a pale man a little younger than Sinclair, with thin reading glasses, runs language classes, though Beaumont occasionally corrects his pronunciation|sometimes you're taught by Chiara, a Teranese woman with intense feelings about mathematical formulae, and sometimes Anthony, an elderly gentleman who would happily recite poetry for hours and claims to have taught here for fifty years}.
*if ((creme_arch) or (hartmann_arch))
	*if ((creme_arch) and (hartmann_arch))
		Only a few years older than you are $!{creme_firstname}, and $!{hartmann_firstname}, who take the occasional class among the others.
	*elseif hartmann_arch
		Only a few years older than you is ${hartmann_firstname}, who takes the occasional class among the others.
	*elseif creme_arch
		Only a few years older than you is ${creme_firstname}, who takes the occasional class among the others.
	*else
		*comment empty

On top of that, fortnightly visits take place from academic luminaries, scientists, famous artists, most of whom are personal friends of Pascal and have little else to do but come to teach Archambault students how to be the best they can be.
*fake_choice
	#I enjoy meeting all these new people.
	#It's exhausting.
	#I love all the bustle.
	#But will this help me in the real world?
	#There's so much to learn, and I want to learn it all.
Javi joins your Vercher House lessons with Dominique and Beaumont. Though there's no sign of ${javi_him} starting another fight, and ${javi_he} @{javi_singular is|are} not overtly hostile in public, you have the sense that ${javi_he}@{javi_singular 's|'re} hoping to use every moment to get one over on you, whether it's giving a more expansive answer in Politics or working more efficiently in Natural Science.

That becomes even clearer during one Politics class discussing the Linwood-Philippe exiles.

"Obviously it was such a shame that the Linwood-Philippe situation happened at all," Clemence says, standing once more in front of the blackboard at the front of the class. "But I personally believe it was dealt with effectively."

The story is practically everyone's first History lesson at school, along with your own family history. A hundred years ago, Timothy Linwood rallied together a collection of revolutionaries and nearly assassinated your great-grandfather King Gian. Though Gian was injured, the aftermath went poorly for Linwood and his friends, and the ringleaders were swiftly exiled to a southern island; spies rooted out their followers, and anyone suspected as such, and scattered them across Westerlin to perform hard labor.

Nothing so outrageous has happened in your lifetime, of course. But the accounts and memories remain, and Westerlind aristocrats have remained nervous about troublemakers over the centuries.
*fake_choice
	#"King Gian needed to remove the risk."
		*goto progian
	#"Forcing those people into labor wasn't fair."
		*goto antigian
	#"So Timothy Linwood was disappeared. That's elegant."
		*label progian
		Clemence nods thoughtfully. "Some have said it was an extreme response," they say, "but
	#"So Timothy Linwood was disappeared. That's chilling."
		*label antigian
		"Well," Clemence says, "it's true that some have said it was an extreme response. But
	#"It was a different time. That's in the past."
		Clemence nods thoughtfully. "Certainly nowadays we'd hope that sort of thing would be dealt with more quietly," they say. "But
King Gian had been terribly wounded. It would have been dreadful if something worse had happened to him."

Javi's face is the picture of horror. "So you'd justify King Gian throwing people away because they [i]might[/i] have been following Linwood?" ${javi_he} @{javi_singular says|say}.
*if ((creme_references) and (gallatin_scandal))
	*if renaldt_fate = 4
		"Weren't there rumors about Lady Renaldt throwing people in her mines? And she was never arrested or anything?"
	*elseif renaldt_fate < 4
		"No wonder Lady Renaldt at Gallatin got away with throwing people in her mines for so long. You're all used to it!"
	*else
		*bug
*else
	"That's terrible!"

Clemence pauses a moment, glancing at the clock. Perhaps they're calculating whether they can afford their lesson to be drawn out for hours on the topic of the ethics of exile. In the end, they spread their hands and say, @{(((creme_references) and (gallatin_scandal)) and (renaldt_fate = 4)) "For one thing, $!{javi_title} Javi, Lady Renaldt was cleared of all such wild accusations. For another, this isn't relevant to today's topic. I'd love to have your thoughts|"I'd love to have your thoughts on this, $!{javi_title} Javi,} in this week's prep work. Now, about Philippe's part in discovering the dissidents…"

That particular discussion aside, you generally deal with Javi in class by:
*fake_choice
	#Speaking up frequently to show off my understanding.
		*if eloquent > eloquent_mid_pass
			*set ragrades %+secondary_mid_change
			Javi may have had excellent tutoring, but it wasn't in Westerlind, and there are still certain nuances or turns of phrase that ${javi_he} @{javi_singular hasn't|haven't} grasped. You engage Clemence and Vere, as well as your classmates, in complex arguments; you can't help but feel a @{(ruthless > ruthless_mid_pass) smug glow|pang of guilt} when Clemence congratulates you on your understanding when Javi is left behind.
		*else
			*set ragrades %-secondary_mid_change
			Your tuition was excellent, but you're not accustomed to quick-fire questioning and debate. Despite Javi having Westerlind as a second language, ${javi_he} @{javi_singular runs|run} rings around you, and you're left scrambling to read through the textbooks. During one particular Politics debate, Clemence kindly tells you to sit it out and read up on the nuances before diving in.

	#Messing with ${javi_him} and having fun in class.
		*if entertaining > entertaining_mid_pass
			*set ragrades %+secondary_mid_change
			Javi may be royalty too, but you can build rapport with the best of them. Your classes often result in laughter, but everyone pulls together to learn all the same. Vere gives you small, approving smiles, while Clemence applauds enthusiastically. During one Politics class, Clemence declares you the winner of a debate thanks to your witty ripostes despite @{(eloquent > eloquent_mid_pass) having previously said there would be no winners or losers|the fact that you were shaky on the details}; Javi is left behind.
		*else
			*set ragrades %-secondary_mid_change
			You make sarcastic remarks and joke around during class, but sometimes it stretches even Clemence's patience, and it proves to the detriment of your learning. In one Politics class, you're so busy trying to think of a witty riposte that Javi beats you in a debate, leaving you behind.

	#Getting Clemence and Vere to like me.
		*if appealing > appealing_mid_pass
			*set ragrades %+secondary_mid_change
			Javi may be royalty, but you are [i]Westerlind[/i] royalty. You spend time in lessons figuring out how to provoke Vere's small, approving smiles, and Clemence's enthusiastic applause. In one Politics class, Javi tries to bulldoze your argument, and Clemence holds up a polite hand.

			"Please wait a moment," they say.

			Javi glowers, ${javi_his} face like thunder.
		*else
			*set ragrades %-secondary_mid_change
			You spend a portion of your time in lessons figuring out how to provoke Vere's small but approving smiles, and Clemence's enthusiastic applause. But it proves to the detriment of your learning. In one Politics class, you're so busy flattering Clemence's political experience that Javi beats you in a debate, leaving you behind.

	#Using my knowledge of Javi to make ${javi_him} look bad.
		*if underhanded > underhanded_mid_pass
			*set ragrades %+secondary_mid_change
			It's easy to rile Javi up, and innocently mentioning certain things—such as $!{rosario_heir} Rosario's marriage—distracts ${javi_him} from focusing on lessons. During a Politics debate, Javi gets so flustered that Clemence tells ${javi_him} kindly to take a short break. Javi glowers at you as ${javi_he} @{javi_singular stalks|stalk} out of the class, and when ${javi_he} @{javi_singular returns|return}, ${javi_he} @{javi_singular sinks|sink} into ${javi_his} seat with a sulky expression.
		*else
			*set ragrades %-secondary_mid_change
			You figure that it's easy enough to rile Javi up, and you innocently mention certain things—such as $!{rosario_heir} Rosario's marriage—to distract ${javi_him} from focusing on lessons. But during a Politics debate, Clemence steps in.

			"I don't think that's relevant," they say, mildly but firmly.

			You are docked several points. In the end, Javi wins the discussion.

Javi aside, most of the younger students are star-struck whenever you appear, and it's never more in evidence than after breakfast. This morning, you and Asher are making your way out of the hall when Asher nudges you.

"There, you're being tailed," ${asher_he} @{asher_singular says|say} quietly.

You turn to see an eager cluster of students scurrying behind you. They're always different, but their keen demeanor makes them interchangeable. The bravest, a short girl, steps forward. "May we carry your bags, Your Highness?"
*fake_choice
	#I decline, but chat with them in a friendly way.
		"Don't you have lessons to go to?" you say. "How's @{teachers_arch Raphael's|Hector's} Athletics class going?"

		*if appealing > appealing_mid_pass
			*set pop_school %+secondary_mid_change
			The girl groans. "It's rubbish," she says. "Cross-country running this week. I can barely walk."

			At the slightest sympathetic noise from you, your followers buzz with delight. Even though they're not carrying your things, they trail you and Asher all the way to Vercher House as though you've done them a favor.
		*else
			*set pop_school %-secondary_mid_change
			*goto girluncertain

	#I tell her bluntly to take my things.
		You push your satchel into her hands. "Get on with it, then."

		*if authoritative > authoritative_mid_pass
			*set pop_school %+secondary_mid_change
			*goto gsuccess
		*else
			*set pop_school %-secondary_mid_change
			*goto gfail
	#I say yes, then quiz them on their work as we go.
		You push your satchel into her hands. "How's @{teachers_arch Sinclair's|Anthony's} Literature class going for you?"

		*if eloquent > eloquent_mid_pass
			*set pop_school %+secondary_mid_change
			*label gsuccess
			She curtseys low, and she and the others trail you and Asher all the way to Vercher House, chattering amongst themselves and answering your questions with such excitement that you'd think you were doing them a favor. At the door, she hands you your bag and curtseys again, and they all scurry away.			
		*else
			*set pop_school %-secondary_mid_change
			*label gfail
			She looks alarmed. "Oh," she says, faltering.
			*goto lowCurtsey
	#I ask slyly if they'd be willing to bring me snacks, too.
		"I'd love for you to take my bags. I wonder if you'd be so kind as to bring my refreshments next time we have prep?" you say. "I do get peckish at that time of day."

		*if underhanded > underhanded_mid_pass
			*set pop_school %+secondary_mid_change
			She curtseys low. "Of course!" she says.

			She and the others trail you and Asher all the way to Vercher House, chattering amongst themselves with excitement as though you've done them a favor. At the door, she hands you your bag and curtseys again, and they all scurry away.
		*else
			*set pop_school %-secondary_mid_change
			"Oh," she says, looking lost. "Yes! Of course! If the teachers let us!"
			*label lowCurtsey

			With a low curtsey, she and the others trail you and Asher all the way to Vercher House in silence. At the door, she hands you your bag and curtseys again, and they all scurry away.

	#I joke around with them.
		"Don't you have anything better to do?" you say. "I thought this was a school."

		*if entertaining > entertaining_mid_pass
			*set pop_school %+secondary_mid_change
			The girl's eyes sparkle as she gives you a curtsey. "Of course it is, Your Highness," she says. "But isn't it more important to respect our royalty?"

			You grin and push your bag into her hands. "Fair point."

			Buzzing with delight as though you're doing them a favor, your followers trail you and Asher all the way to Vercher House.
		*else
			*set ragrades %-secondary_mid_change
			*label girluncertain
			The girl looks uncertain, biting her lip. "Oh," she says. "You're right, I should go. I'm late already!"
						
			She and her friends scurry away, leaving you and Asher to make your way to Vercher House unimpeded.

"They're sweet," says Asher as you head into the hallway.

As is ${asher_his} habit, Asher walks a few paces in front of you, eyeing the space ahead and around. For ${asher_his} part,
*if romance_expressed_asher
	${asher_he} @{asher_singular hasn't|haven't} mentioned anything about your intimate conversation, and @{asher_singular has|have} avoided talk of anything personal. $!{asher_he}
*else
	${asher_he}
@{asher_singular is|are} at your side between lessons or during recreation time, but @{asher_singular deals|deal} with other business while you're learning. What exactly ${asher_he} @{asher_singular gets|get} up to in those times, you do not know.
*fake_choice
	#I mostly treat Asher like part of the @{slowburn_a furniture, so no one notices my feelings for ${asher_him}|furniture unless necessary}.
		*set ruthless %+opposed_mid_change
		*set asherhabit 1
		It's straightforward to issue crisp commands to Asher when needed, and allow your eye to skim over ${asher_him} when ${asher_he}@{asher_singular 's|'re} at rest. Asher's excellent at fading into the background if ${asher_he} @{asher_singular wants|want} to,
		*if authoritative > authoritative_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_asher %+rel_mid_change
			and you've had the impression that ${asher_he} @{asher_singular relishes|relish} the challenge when you're both under such constant scrutiny.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_asher %-rel_mid_change
			but you've had the occasional impression that ${asher_he}@{asher_singular 's|'re} a little downcast, and you catch a couple of reproachful looks from the other final-years.

	#I drop hints to remind people of Asher as an intimidating presence.
		*set forceful %+opposed_mid_change
		*set asherhabit 2
		You've been glancing at Asher to underscore your comments;
		*if underhanded > underhanded_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_asher %+rel_mid_change
			Asher's combat competence and heavy muscles make it clear that ${asher_he} @{asher_singular means|mean} business. The other students seem impressed; Asher seems to find it quietly entertaining.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_asher %-rel_mid_change
			the other students haven't seemed to pay much attention, though. Asher ${asher_him}self seems to find it a little embarrassing.

	#I've been making sure to include Asher in conversation with other students.
		*set ruthless %-opposed_mid_change
		*set asherhabit 3
		You've kept Asher involved when talking with the others as much as you can,
		*if appealing > appealing_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_asher %+rel_mid_change
			and though Asher's a little shy, you've helped make ${asher_him} feel at ease. The other students are friendly enough to ${asher_him}, especially Dominique.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_asher %-rel_mid_change
			though Asher's been a little shy of joining in fully. The other students are a little awkward with ${asher_him}, seeming not to know whether to treat ${asher_him} as a servant, a peer, or something in between.

	#I try to keep Asher entertained. It can't be much fun being a bodyguard.
		*set calm %-opposed_mid_change
		*set asherhabit 4
		Asher tends to be patient enough, but you've made an effort to help ${asher_him} avoid boredom.
		*if entertaining > entertaining_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_asher %+rel_mid_change
			$!{asher_he} @{asher_singular seems|seem} to appreciate the thought, though in public ${asher_he} @{asher_singular smiles|smile} more than ${asher_he} @{asher_singular laughs|laugh}. The other students have relaxed around ${asher_him} too, particularly Dominique.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_asher %-rel_mid_change
			$!{asher_he} @{asher_singular seems|seem} to appreciate the thought, though ${asher_he} @{asher_singular tends|tend} to look patient rather than amused. The other students tend to roll their eyes at your comments, pretending not to when you glance at them.

In the common room, Dominique is sitting at the card table, sorting through a tall pile of letters. $!{dominique_he} @{dominique_singular looks|look} up and @{dominique_singular smiles|smile} as you enter. "Oh!" ${dominique_he} @{dominique_singular says|say}. "You've got a letter. Here."

You settle in the reading nook while Dominique leafs through more letters; Asher @{(asherhabit < 3) stands silently against the wall|sits opposite ${dominique_him} and quietly asks after ${dominique_his} parents' health}. The thick envelope is embossed with the royal crest, and sealed with your mother's seal.

Her letter begins with the usual warm greetings, and she writes that:
*fake_choice
	#She misses me.
		*set queenletter 1
		"It's strange in the palace with only Oliver," she writes. "This wasn't how we planned it before, was it? I didn't think about how it would feel with you gone."

	#She wants me to behave myself.
		*set queenletter 2
		"Maybe I've been too indulgent in the past," she writes, "but I do want the family's reputation to remain high in the eyes of the public. I hope that you're acting appropriately. It's strange to think of you away from under my eye."

	#She hopes I've made friends.
		*set queenletter 3
		"I remember when I went to university," she writes, "it took a long time to connect with the others. Still longer to find real friends. But in time, you will. It feels strange to think that I can't just invite you and other children to the same parties, like I could when you were younger."

	#She wants me to keep an eye on my studies.
		*set queenletter 4
		"I trust you," she writes, "but I also know it's tempting to let things slide when you're away and in a new place. I know I ought not to worry about your education, but it's strange to think that I can't just check over your schoolwork like I could when you were a child."

Strange, too, to read such a personal letter from her. When you've been away on holiday in the past without your mother, her letters have tended to be cheerfully factual, detailing silly encounters or sending a small gift. She writes that the papers have been intrigued about your schooling, and that she's kept them at bay with puff pieces about your childhood.

"King Mateo telephoned me the other day," she writes, and your heart sinks. King Mateo is one of Javi's parents, and the monarch of Zaledo. You read on: "I didn't realize $!{javi_title} Javi was attending Archambault too—what a coincidence, and such nice news! I always thought you and ${javi_he} would make a lovely match."
*fake_choice
	#I laugh.
		You let out a laugh,
		*goto ad_startle
	#I grimace.
		*goto ad_look
	#I groan.
		You let out a groan,
		*goto ad_startle
	#I snort.
		You snort derisively,
		*label ad_startle
		and both Asher and Dominique startle.

		"Are you…all right?" Dominique says,
	#I stare at the letter.
		*label ad_look
		Over from the card table, you catch Dominique watching you.

		"Are you…all right?" ${dominique_he} @{dominique_singular says|say},
but ${dominique_he} @{dominique_singular doesn't|don't} let you finish. Instead ${dominique_he} @{dominique_singular rushes|rush} on, "Is it about Javi? One of my parents said you're practically engaged."

You recall Dominique's parents as the life of any party, surrounded by eager hangers-on. Dominique has definitely inherited their penchant for gossip.

@{romance_expressed_asher "What?" Asher says softly.|Asher leans forward. "Is that true?"}
*fake_choice
	#"I suppose I need to make friends with Javi, then."
		*set ruthless %-opposed_mid_change
		*set appealing %+skill_small_change
		Whether you mean what you say or not, Dominique takes it at face value and nods amiably. "That'll make recreation time less awkward, anyway," ${dominique_he} @{dominique_singular says|say}.

	#"I'm not putting up with this. I won't be pushed around."
		*set forceful %+opposed_mid_change
		*set authoritative %+skill_small_change
		*goto dLean
	#"Can you imagine me engaged to Javi? What a joke!"
		*set planner %-opposed_mid_change
		*set entertaining %+skill_small_change
		Dominique laughs behind ${dominique_his} hand, eyes alight. "I can picture it now. Hibiscus flowers in your hair, the lights…."

	#"I'm sure I can scheme my way out of this."
		*set ruthless %+opposed_mid_change
		*set underhanded %+skill_small_change
		*label dLean
		Dominique leans forward with a thrilled expression. "Gosh, are you going to have Javi deported?" ${dominique_he} @{dominique_singular says|say} in the tone of someone who does not believe it for a second.
		*label d_success

		Smiling, ${dominique_he} @{dominique_singular bends|bend} to read more of ${dominique_his} own letter.
	#I deftly change the subject.
		*set forceful %-opposed_mid_change
		*set eloquent %+skill_small_change
		"Tell me something interesting you've heard lately," you say, and Dominique leans forward eagerly.

		"Oh," ${dominique_he} @{dominique_singular says|say}, @{(florintidbits = 1) "Did you hear that the Honorable Florin Kraemer's been sent overseas with the military?"|"I heard the Honorable Florin Kraemer was made a Captain last week. Maybe Florin's fathers will be less cross now?"}

		@{(calm > calm_mid_pass) "Really?"|"Goodness me!"} you say, and Dominique starts to launch into more of a story before something catches ${dominique_his} eye on ${dominique_his} own letter and ${dominique_he} @{dominique_singular bends|bend} to read.
*page_break The Door Opens
Beaumont and Javi stride in, and Dominique breaks off in a monumentally obvious fashion. $!{dominique_he} @{dominique_singular starts|start} sorting through the letters again. "Asher, you've got something," ${dominique_he} @{dominique_singular says|say}, passing ${asher_him} a thick envelope. "And Javi!"

Javi takes the envelope from Dominique's hands and smiles. "That's Rosario's handwriting," ${javi_he} @{javi_singular says|say}. "I wonder what ${rosario_he}@{rosario_singular 's|'re} up to."

"You should ask ${rosario_him} to tell you secrets about the Academy," Dominique says cheerfully. "And Beaumont…oh, here's something."

Beaumont snatches the typewritten envelope, and Javi cocks ${javi_his} head. "Something secret from your parents?" ${javi_he} @{javi_singular says|say} cheerfully.

Asher inhales sharply. Dominique grimaces and gestures frantically at Javi to stop, but Beaumont's face has already gone stony. "If they can send me letters from beyond the grave, that would be a wonderful surprise," Beaumont snaps.

Javi's expression falls, and ${javi_he} @{javi_singular looks|look} stricken. "I didn't mean…"

In a flash, you recall where you've read Beaumont's name: in a newspaper article a few years ago about a sailing accident. Most of the family died, including Beaumont's parents and cousins. Laurie Beaumont was the sole survivor.
*fake_choice
	#I pretend I knew already to make Javi look bad.
		*set underhanded %+skill_small_change
		"It's common knowledge," you say, frowning at Javi. "You don't have to rub it in."

		Javi huffs. "That's not what I meant at all."

	#I change the subject to distract people.
		*set entertaining %+skill_small_change
		"So," you say, "did you get the notes for Natural Science? I missed the bit about potassium sulfate."

		Beaumont rifles through ${beaumont_his} notes and passes them over to you, shooting you a quick smile.

	#I want to be calm but polite. "I'm sorry for your loss."
		*set appealing %+skill_small_change
		Beaumont tilts ${beaumont_his} head. $!{beaumont_his} ink-dark eyes are very large. "Thank you," ${beaumont_he} @{beaumont_singular says|say}, and ${beaumont_he} @{beaumont_singular sounds|sound} like ${beaumont_he} @{beaumont_singular means|mean} it.

	#I glare at Javi and tell ${javi_him} to apologize.
		*set authoritative %+skill_small_change
		"Say sorry to Beaumont right now," you say.

	#My mind's turning. "So you're the only heir to the Beaumont Financiers, too?"
		*set eloquent %+skill_small_change
		Beaumont's mouth tugs up on one side. "Interesting segue. But yes. Head of the Beaumont Financiers, at your service," ${beaumont_he} @{beaumont_singular says|say}.

Javi hunches ${javi_his} shoulders, mutters an apology, and stalks off towards the kitchen. Dominique returns to ${dominique_his} letter, and as ${dominique_he} @{dominique_singular reads|read}, ${dominique_his} face falls.

Beaumont grabs ${beaumont_his} long, charcoal-colored coat. "I'm going to check on Patch at the @{pet stables|kennels|mews|}. Anyone coming?"

Dominique's still frowning at ${dominique_his} letter. "I don't think so. Sorry."

Beaumont glances at you with a questioning expression.
*choice
	#I'll stay here. I want to know what's happening with Dominique.
		*goto dominique
	#I'd rather head to the kitchen and speak with Javi.
		*goto javi
	#I'd like to spend time with Beaumont and $!{petname} outside.
		*goto beaumont

*label dominique
*set asherpresent true
"I'll stick around here," you say. Beaumont looks between the four of you, shrugs, and finishes buttoning ${beaumont_his} coat before leaving the room. After a couple of minutes you hear the Vercher door close.
*page_break
Dominique sighs. $!{dominique_he} @{dominique_singular doesn't|don't} look at you, instead folding into ${dominique_him}self as ${dominique_he} @{dominique_singular carries|carry} on reading the letter.
*gosub_scene modules_dominique dominique_hub

$!{dominique_he} @{dominique_singular looks|look} about to say something else when the bell rings. According
*goto leadershipchoice

*label javi
*set asherpresent true
"I'll stick around here," you say. Beaumont looks between the four of you, shrugs, and finishes buttoning ${beaumont_his} coat before leaving the room. After a couple of minutes, you hear the Vercher door close. Dominique excuses ${dominique_him}self and goes to ${dominique_his} room, leaving you and Asher to find Javi in the kitchen.
*page_break
Javi is rummaging in the cupboards. "[i]What[/i]?" ${javi_he} @{javi_singular snaps|snap} as you and Asher approach. "I didn't know that about Beaumont's family. It was a mistake."
*fake_choice
	#"I understand. You didn't know."
		*set rel_javi %+rel_small_change
		Javi shakes ${javi_his} head.
	#"Think before you speak next time."
		*set rel_javi %-rel_small_change
		Javi hisses between ${javi_his} teeth.
	#"You didn't even apologize properly!"
		*set rel_javi %-rel_small_change
		Javi mutters something @{zaledoan_language you don't recognize|uncomplimentary|about "sanctimonious" and "tiresome"|BUG} in Zaledoan.
	#"Don't take it out on me."
		*set rel_javi %+rel_small_change
		Javi sighs.
*gosub_scene modules_javi javi_hub

The bell rings. $!{javi_he} @{javi_singular turns|turn} on ${javi_his} heel, leaving you @{asherpresent and Asher alone|alone}.

According
*goto leadershipchoice

*label beaumont
*set asherpresent true
"I'll come to the @{pet stables|kennels|mews|} with you," you say to Beaumont.

"See you later," Dominique says, still looking preoccupied; you grab your coat and follow Beaumont and Asher out into the brisk, windy air.
*page_break
*gosub_scene modules_beaumont beaumont_hub

A drop of rain falls on your face, and Beaumont glances at the sky. From the main building, you hear a bell ringing: according
*label leadershipchoice
*set asherpresent false
to the timetable, it's time for a group meeting in the theater. You hasten across the grounds.
*page_break
Asher excuses ${asher_him}self to check the perimeter, and you enter the theater
*if module_beaumont_1
	with Beaumont at your side.
*elseif module_dominique_1
	with Dominique at your side.
*elseif module_javi_1
	quickly.
*else
	*bug
It's an entire building with the baroque look of a theater of two centuries ago, with a vast proscenium arch soaring overhead. Plush seats and velvet-lined boxes surround the stage upon which Pascal, Vere and Clemence stand; the lighting gives a warm glow to the whole place.

Once you have found your seats, you eye some of the other final-year students. You recognize a few from your bigger classes. There's Yannick, a slender, excited-looking boy with shaved hair who's holding forth to his companions about something you can't hear, while Gabi in the front hunches over their notebook, scribbling furiously. Mai, a heavily muscled girl with red hair, has put her feet on the seat in front of her, glaring at anyone who might complain.

Pascal claps his hands, and the theater falls silent.
*page_break
"Leadership Class," Pascal says, "is one of the most important aspects of life at Archambault as a final-year. We have three from which to choose."

He pauses for effect.

"The first," he says, "is Drama Club. Traditionally, I direct, but it will be the Drama Club's choice which play we put on in the spring, and of course you'll perform and run the entire thing."

*if module_beaumont_1
	Beaumont rolls ${beaumont_his} eyes. "Tiresome," ${beaumont_he} @{beaumont_singular mutters|mutter}.
*elseif module_dominique_1
	Dominique's face lights up. "That sounds lovely," ${dominique_he} @{dominique_singular murmurs|murmur}, "but I find it so hard to remember lines. I couldn't do it."

Close by, Javi is talking to ${javi_his} companions. You hear ${javi_him} saying, "Obviously I'll be the leading role. I won't have it any other way."
*fake_choice
	#"Hmm, what's the next class?"
	#"I do like the sound of Drama Club."
		*set dc_like true
	#"I'd enjoy Drama Club, but I don't want to be with Javi."
		*set dc_like true
	#"I don't know if I want to get involved with that."
Javi looks over ${javi_his} shoulder at you, scowling. "Do what you like," ${javi_he} @{javi_singular says|say}. "I'm absolutely being the star, whatever you think."

Upon the stage, Vere steps forward. "I run the second Leadership Class, the Athletics Team. I won't pontificate," she says with a brief glance at Pascal, "so this will be brief. The Athletics Team gives you the chance to be part of a group of elite athletes. You'll hone your bodies and minds to beat the opposition. If that sounds like you, sign up."

A murmur of excitement ripples around the theater. You see Javi examining ${javi_his} fingernails studiously, while Dominique grimaces and sinks down in ${dominique_his} seat.

Beaumont squares ${beaumont_his} shoulders and cracks ${beaumont_his} knuckles with a determined expression.
*if module_beaumont_1
	"That's me," ${beaumont_he} @{beaumont_singular says|say} quietly.
*else
	$!{beaumont_he} @{beaumont_singular glances|glance} over at you. "That'll be me," ${beaumont_he} @{beaumont_singular says|say}.
*fake_choice
	#"That sounds amazing!"
		*set at_like true
	#"I'd definitely enjoy some fresh air."
		*set at_like true
	#"It sounds dangerous."
	#"I don't know if I want to get into sports."
Beaumont shrugs as Clemence takes center stage. They beam at the gathered students, and clear their throat.

"I run the third Leadership Class, which is the Student Council," they say. "This year we're doing something different. You'll have much more autonomy, and will have a positive effect on Archambault as a whole. And its future, too!"

Javi looks unmoved; Beaumont looks bored.
*if module_dominique_1
	Dominique, who hasn't been paying much attention, sits up suddenly in ${dominique_his} seat. "My parents said I should sign up for that!"
*else
	Over on the other side of the room, Dominique sits bolt upright as though ${dominique_he}@{dominique_singular 's|'ve} only just started listening.
*fake_choice
	#"It'd give me more leadership experience."
		*set sc_like true
	#"Sounds like a lot of hassle."
	#I don't say so, but I like the sound of the power I'd get from it.
		*set sc_like true
	#"I'm not sure I'd want to do that."
Pascal steps forward once more, brandishing a clipboard. "Sign-ups now, please!"

You consider for a moment while the others rush forward. Beaumont, Mai, and a few others sign up for Athletics with Vere; Javi is signing up for the Drama Club with Pascal. Dominique's chatting with Clemence as ${dominique_he} @{dominique_singular signs|sign} up to the Student Council. You'll have more time with your peers in your chosen Leadership Class, though there will be time for everyone. Certainly your presence in a class will bring more prestige to the teacher.
*choice
	#I choose the Athletics Team.
		*set vere %+opposed_mid_change
		*set leadership 1
		*set leadership_name "Mai"
		*set leadership_he "she"
		*set leadership_him "her"
		*set leadership_his "her"
		*set leadership_hers "hers"
		*goto tryout_athletic
	#I sign up to Drama Club.
		*set leadership 2
		*set leadership_name "Yannick"
		*set leadership_he "he"
		*set leadership_him "him"
		*set leadership_his "his"
		*set leadership_hers "his"
		*goto tryout_drama
	#I pick Student Council.
		*set leadership 3
		*set leadership_name "Gabi"
		*set leadership_he "they"
		*set leadership_him "them"
		*set leadership_his "their"
		*set leadership_hers "theirs"
		*set leadership_singular false
		*set vere %-opposed_mid_change
		*goto tryout_council

*label tryout_athletic
*set playchoice 1
Beaumont has already sprung up to sign up for the Athletics Team, along with the muscular girl, Mai, who had her feet on the seats. @{at_like You stride|With some reluctance, you walk} up to Vere and sign your name on the clipboard.

"Excellent," Vere says, and you can see the hint of held-back triumph in her gaze. "Be on the field in half an hour."
*page_break
The gymnasium is a stately building ornamented with palatial columns and stone curlicues, with tall windows stretching from ceiling to floor. You and the rest of the team head for the set of changing rooms, which are pale and softly lit, like changing rooms at a spa.

You and the team retreat to your cubicles, where you dig in your duffel bag for your Athletics kit. It consists of…
*fake_choice
	#A short dress.
		*set athleticskit 1
		Like most of your uniform, the dress is pale gray, piped with sky blue.
	#A pair of shorts and a polo shirt.
		*set athleticskit 2
		Like most of your uniform, the shirt is pale gray; the shorts are blue.
	#A polo shirt with jogging pants.
		*set athleticskit 3
		Like most of your uniform, the shirt is pale gray; the pants are blue.
	#A polo shirt and pleated skirt.
		*set athleticskit 4
		Like most of your uniform, the shirt is pale gray; the skirt is blue.
You pull on your running shoes. As you emerge from the cubicle, Mai, the red-haired, muscular final-year is pulling on a sweater. She's surrounded by a cluster of students also in athletic wear.

"I heard it's running laps around the field, and Vere times you," she says.

Beaumont steps out too, wearing a shirt and loose blue pants. $!{beaumont_he} @{beaumont_singular ties|tie} ${beaumont_his} dark hair into a ponytail. "I don't believe that," ${beaumont_he} @{beaumont_singular says|say}. "It wouldn't be so easy."

"Since when would you know?" snaps Mai. She turns to you, adjusts her long red plait, and curtseys neatly.

Vere bellows from outside. "Everybody ready!"
*page_break
Vere leads you and the rest of the team hopefuls at a brisk jog out to the field, where she sets you doing jumping-jacks, high knees, and lunges for warming up. Beaumont and Mai size each other up as they stretch. Beneath the thumps of sneakers hitting the ground and grunts of exertion, you hear Mai hiss to Beaumont, "Lift up your knees. You won't beat $!{gallatin_name} College like that!"

Beaumont silently flicks an obscene gesture at her, and carries on jogging on the spot, faster this time. Mai speeds up to match ${beaumont_him}.
*fake_choice
	#I get them in trouble.
		You raise your hand. "Excuse me," you say to Vere. "But I can't help noticing that Mai and Beaumont are getting distracted."

		*if underhanded > underhanded_mid_pass
			*set at_following %+secondary_mid_change
			*set rel_vere %+rel_mid_change
			*set ragrades %+secondary_mid_change
			Vere pauses and gives Beaumont and Mai a severe look. "You two," she says, "three laps around the field. And I don't want to see you chatting again."

			The two of them roll their eyes with near-identical expressions and get running. The rest of the team murmurs in approval, and you settle into your stretches together.
		*else
			*set at_following %-secondary_mid_change
			*set rel_vere %-rel_mid_change
			*set ragrades %-secondary_mid_change
			Vere pauses with a frown. "You don't need to pay attention to them, Your Highness," she says. "Focus on your own work."

			Beaumont rolls ${beaumont_his} eyes. The rest of the team grumbles as you carry on with your stretches.

	#I egg them on, pushing them to try to beat each other.
		"Go on, Beaumont!" you say. "You're not going to let Mai beat you, are you?"

		Beaumont's lip
		*if authoritative > authoritative_mid_pass
			*set at_following %+secondary_mid_change
			*set rel_beaumont %+rel_mid_change
			*set ragrades %+secondary_mid_change
			curls, and ${beaumont_he} @{beaumont_singular speeds|speed} up; Mai does the same, and they keep at the strenuous pace. The rest of the team pushes themselves to match.

			"Good work!" Vere calls out.
		*else
			*set at_following %-secondary_mid_change
			*set rel_beaumont %-rel_mid_change
			*set ragrades %-secondary_mid_change
			curls. "I can see where this is going," ${beaumont_he} @{beaumont_singular says|say}. "I'm not tiring myself out before the game just so Mai can get ahead of me."

			When ${beaumont_he} @{beaumont_singular slows|slow}, Vere frowns at ${beaumont_him}. "Come on, team, get going!" she calls out. "You won't get anywhere looking like that!"

	#I focus on my own stretches, ignoring them calmly.
		*if calm > calm_mid_pass
			*set at_following %+secondary_mid_change
			*set rel_vere %+rel_mid_change
			*set ragrades %+secondary_mid_change
			You concentrate on stretching out a tight spot on your calf, ignoring Beaumont and Mai's competition. Vere snaps at them to fall into line. "Can't you focus like $!{pc_address_indirect}?" she says.

			The rest of the team follows your lead.
		*else
			*set at_following %-secondary_mid_change
			*set rel_vere %-rel_mid_change
			*set ragrades %-secondary_mid_change
			You try to concentrate on stretching out a tight spot on your calf, but Beaumont and Mai's arguing gets more heated as you do so.

			"Come on, you two," Vere snaps. "And focus, $!{pc_address}. I can tell you're distracted."

			The rest of the team grumbles amongst themselves.

	#I step in, encouraging them to get along.
		"Come on," you say, "we're on the same team. We won't get anywhere if we're trying to show each other up."

		*if appealing > appealing_mid_pass
			*set at_following %+secondary_mid_change
			*set rel_beaumont %+rel_mid_change
			*set ragrades %+secondary_mid_change
			Beaumont tilts ${beaumont_his} head and nods. "Reasonable," ${beaumont_he} @{beaumont_singular says|say}. $!{beaumont_he} @{beaumont_singular continues|continue} at a steadier pace to match yours; the rest of the team follows your lead, including Mai.
		*else
			*set at_following %-secondary_mid_change
			*set rel_beaumont %-rel_mid_change
			*set ragrades %-secondary_mid_change
			Beaumont's lip curls. "I don't know about that," ${beaumont_he} @{beaumont_singular says|say}, and ${beaumont_he} @{beaumont_singular carries|carry} on at top speed. The rest of the team follows ${beaumont_his} lead.

When you eventually finish, Vere leads you to the edge of the field, where two shoulder-height crumbling walls stretch for a hundred yards with a narrow strip of grass between them.

"These walls," she says, laying a reverent hand upon one of the bricks, "were built in the fifteenth century, when Archambault was two hundred years old. In 1512, the Wall Game was first recorded. When you're in the Athletics Team, you're part of an ancient tradition."

The Wall Game is like no game you've ever encountered, which makes sense given, as Vere says, that it's played nowhere else. The students split into two groups standing at each end of the walls. A ball is placed in the middle, and the teams battle to bring it to the other end. There are rules about what happens if the ball spins over either wall; there are none about personal safety.
*page_break
Vere splits you up, seemingly at random. Beaumont's on one team, and you see ${beaumont_him} taking the lead and huddling with the others issuing intense, complicated instructions. You and Mai are on the other.

Mai jogs on the spot eagerly, looking like $!{petname} when she's ready @{pet for a race|to chase something down|for a kill|}. "How shall we handle this?" she asks.
*fake_choice
	#"Barrel through the opposition."
		Mai's grin is wicked. "I definitely like the sound of that."

		You ready yourselves at your end of the field. For a second, everything is silent. Then Vere blows the whistle, and chaos erupts.

		Your team links arms to form a wall of force and bears down on Beaumont's team. They crash into each other like an ocean wave against a cliff. Elbows and knees connect with ribs and cheekbones; someone cries out, slides on the mud, then scrambles to their feet.

		You grab the ball, put your head down, and run.
		*if forceful > forceful_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			*set wallgame_winning true
			It's hard to see what the rest of the team is doing, but you can feel them around you, protecting you from the others. Someone tries to trip you, but you have so much momentum on your side that you barge through them without falling.
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			It's impossible to see what the rest of your team is doing, but someone on the opposite team trips you, and you stumble to the ground. Someone yanks the ball from you; someone inadvertently treads on your hand as they thunder towards your end.
	#"Move quickly, and avoid going head on."
		Mai nods briskly. "Good. We'll do it."

		You ready yourselves at your end of the field. For a second, everything is silent. Then Vere blows the whistle, and chaos erupts.

		Your team darts side to side, feinting to avoid your opponents. You grab the ball, put your head down, and run,
		*if forceful < forceful_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			*set wallgame_winning true
			keeping your steps light and dodging anyone who tries to intercept you. It's hard to see what the rest of your team is doing, but you can feel them around you, confusing the opposition.
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			trying to keep your steps light as they try to intercept you. It's impossible to see what the rest of your team are doing, but you're suddenly alone. Someone yanks the ball out of your hands, and you stumble to the ground.
	#"If you have to sacrifice a teammate to win, do it."
		Mai and the others exchange glances. "If we have to, we have to," she says with a determined nod. "Come, let's get to it."

		You ready yourselves at your end of the field. For a second, everything is silent. Then Vere blows the whistle, and chaos erupts.

		You and the team race towards the ball. Elbows and knees connect with ribs and cheekbones; someone on your team trips up an opponent and they both slide into the mud.

		*if ruthless > ruthless_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			*set wallgame_winning true
			"Carry on forward!" you shout.

			"Forward!" Mai echoes, and your team surges onward. You grab the ball and race ahead.
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			"Carry on forward!" you shout, but Mai hesitates and helps your teammate to his feet. You race forward to grab the ball, but your team is behind you, leaving you vulnerable.

			Beaumont's team crashes into you like an ocean wave and someone yanks the ball out of your hands. You're left dazed and stumbling.
	#"We'll take a moment to plan our next moves, all of us."
		Mai nods. "Of course."

		While Beaumont's team assembles, you talk through tactics. It's not a particularly strategic game—the winning strategy seems to be mostly survival of the fittest—but you figure out a decent formation that works for your team's individual strengths and weaknesses.

		You ready yourselves at your end of the field. For a second, everything is silent. Then Vere blows the whistle, and chaos erupts.

		Your team links arms to form a wall of force and bears down on Beaumont's team.
		*if planner > planner_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			*set wallgame_winning true
			They crash into each other like an ocean wave against a cliff. Elbows and knees connect with ribs and cheekbones; someone cries out, slides on the mud, then scrambles to their feet.

			You grab the ball, put your head down, and run.
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			As your team crashes into Beaumont's like an ocean wave against a cliff, the formation breaks. Whether it was someone losing their nerve or simply forgetting what to do, your careful plans have come apart. You race forward to grab the ball, but someone yanks it out of your hands.

*if wallgame_winning
	You brace yourself to race to the end, only to see Beaumont blocking you. $!{beaumont_he} @{beaumont_singular darts|dart} towards you in an attempt to grab the ball.
*else
	You catch your breath and gather yourself, then see Beaumont moving with purpose, carrying the ball. $!{beaumont_he}'ll win if you don't do something to stop ${beaumont_him}.

You shout to your team to back you up.
*fake_choice
	#"Take Beaumont out! $!{beaumont_he}@{beaumont_singular 's|'re} vulnerable!"
		*if underhanded > underhanded_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			Mai leads the rest of the team to swarm Beaumont,
			*goto wallgame_win
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto wallgame_lose
	#"Use your heads! Remember your tactics!"
		*if eloquent > eloquent_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			Mai leads the rest of the team to block Beaumont,
			*goto wallgame_win
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto wallgame_lose
	#"Snap to it! That's an order!"
		*if authoritative > authoritative_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			Mai leads the rest of the team to block Beaumont,
			*goto wallgame_win
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto wallgame_lose
	#"If we win, I'm buying everyone cake!"
		*if entertaining > entertaining_mid_pass
			*set at_following %+secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			Mai laughs. "I'm holding you to that!"

			She leads the rest of the team to block Beaumont,
			*label wallgame_win
			@{wallgame_winning keeping ${beaumont_him} out of your way. You|and grabs the ball from ${beaumont_him}. She tosses it to you, and you} grip the ball firmly to your chest and race forward. Your feet slip on the muddy grass, but you finally, [i]finally[/i], reach the goal. You slam the ball on the ground.
			*set wallgame_winning true
		*else
			*set at_following %-secondary_mid_change
			*set at_cheats %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*label wallgame_lose
			Mai hesitates. Maybe she didn't hear you, or maybe she wasn't convinced. Either way, you are left to deal with Beaumont alone, and ${beaumont_he}@{beaumont_singular 's|'re} too fast for you to match.
			*if wallgame_winning
				$!{beaumont_he} @{beaumont_singular grabs|grab} the ball out of your hands and @{beaumont_singular races|race} down the track. Your team tries to intercept, but they're not strong enough. Beaumont reaches the goal and slams the ball on the ground.
			*set wallgame_winning false
Cheers erupt.
*page_break
Vere blows her whistle, and the teams reassemble, covered in mud and bruises. "Great job, everyone!" Vere shouts.

*if wallgame_winning
	Beaumont shakes your hand vigorously, without bitterness. "If we can work like that against $!{gallatin_name}, we'll win for sure," ${beaumont_he} @{beaumont_singular says|say}.
*else
	Beaumont clasps the ball protectively. "You did a decent job," ${beaumont_he} @{beaumont_singular tells|tell} you. "The team will work fine once we're used to each other."

$!{beaumont_his} dark eyes are alight; you've never seen ${beaumont_him} look so exhilarated.

"We'll meet regularly," Vere says, "for practice and to share tactics. Go and get changed now. You look like you've been working on a farm."

You return to the gymnasium to freshen up and change. Each cubicle has its own shower; you can wash up in comfort.
*if (not(module_beaumont_1))
	After you've changed into your uniform and the others have gone, Vere calls you and Beaumont over. "$!{groundskeeper} mentioned that Patch and $!{petname} could do with some attention," she says.

	Beaumont's shoulders are rigid. "I spent some time in the @{pet stables|kennels|mews|} earlier. Patch is having trouble settling."

	"Don't worry," Vere says, her expression softening. "She needs time to adjust. Both of you go over and see how they're doing."
	*page_break You Head For The @{pet Stables|Kennels|Mews|}
	*gosub_scene modules_beaumont beaumont_hub

	A drop of rain falls on your face, and Beaumont glances at the sky. From the main building, you hear another bell ringing: it's time for your Literature class.
*else
	Once you've finished, you hear another bell ringing from the main building. Time for your Literature class.
*goto announce_gallatin

*label tryout_drama
You stride up to Pascal, who beams at you. "Two royals in Drama Club!" he says. "You'll be making history!"

Javi gives you an unimpressed look while the slightly built boy, Yannick, whom you noticed before, sidles over to sign his name. The crowd of final-years dwindles as the Athletics Team and the Student Council finish their sign-ups and leave the theater; Drama Club appears to consist of fifteen students or so, plus you and Javi.

"Come and sit on the stage!" Pascal calls. "No ceremony here."
*page_break
"We'll each do a reading now," Pascal says, "to see how our styles mesh together."

He hands out sheaves of paper to the group, and Javi, sitting gracefully on the stage with ${javi_his} legs crossed, casts ${javi_his} eye over the script. $!{javi_he} @{javi_singular nods|nod} with a small smile.

Yannick, the slightly built boy with a shaven head, puts up his hand. "Do we have to do this part?" he says. "I'd rather work backstage. You know I'm horrible at acting."

Pascal gives him a beneficent look. "Yannick, ordinarily I'd say everyone should give it a try, but remembering your fourth-year drama project, I believe it's best you sit out of this part."

Yannick grins with relief and passes you his script. You recognize the excerpt: it's one of the most famous speeches from the playwright Rowan Charles, in which the titular Lyan speaks to his army the night before a battle. Pascal gestures to you, inviting you to stand.

"Please start us off, $!{pc_address}," he says.

"This night is yours," you begin, and in your speech you bring a tone of:
*fake_choice
	#Ferocity. I want the audience to fear me.
		You fix your gaze upon Yannick and stride onto the stage.
		*if authoritative > authoritative_mid_pass
			*set dc_following %+secondary_mid_change
			*set ragrades %+secondary_mid_change
			"When we crash upon them," you snarl, pitching your voice to thunder throughout the theater, "we will endure. Strong, and true."
			*goto drama_success
		*else
			*set dc_following %-secondary_mid_change
			*set ragrades %-secondary_mid_change
			*goto dcfail_1
	#Guile. The audience must wonder what I'm thinking.
		You turn away slightly, so your face is in shadow.
		*if underhanded > underhanded_mid_pass
			*set dc_following %+secondary_mid_change
			*set ragrades %+secondary_mid_change
			"When we crash upon them," you say, pitching your voice so it sounds like a mutter even though it can be heard clearly, "we will endure. Strong, and true."
			*goto drama_success
		*else
			*set dc_following %-secondary_mid_change
			*set ragrades %-secondary_mid_change
			*label dcfail_1
			As
			*goto glance
	#Intellect. I want the audience to respect my mind.
		You fix your gaze upon Yannick,
		*if eloquent > eloquent_mid_pass
			*set dc_following %+secondary_mid_change
			*set ragrades %+secondary_mid_change
			and stride across the stage. "When we crash upon them, we will endure. Strong, and true."
			*goto drama_success
		*else
			*set dc_following %-secondary_mid_change
			*set ragrades %-secondary_mid_change
			but as
			*label glance
			you begin to speak, he glances away.

			"When we crash upon them, we will endure. Strong, and true," you say, but your voice gets lost in the acoustics, and you're not sure you've pitched it right. The others in the Drama Club start shuffling their feet as you continue the speech.
			*goto drama_fail
	#Joviality. The audience should enjoy this speech.
		You pitch your voice to carry dramatically throughout the hall. "When we crash upon them," you say, "we will endure.
		*if entertaining > entertaining_mid_pass
			*set dc_following %+secondary_mid_change
			*set ragrades %+secondary_mid_change
			Strong, and true!"
			*label drama_success

			And you continue the speech. Famous as it is, everyone in this group will know the words, but between your face and your voice, you hold Pascal and the Drama Club's attention. Yannick's eyes are wide and impressed. There's a beat of silence as you finish, and then Pascal applauds.

			"Bravo!" he says. "Wonderful work indeed! $!{javi_title} Javi will have ${javi_his} work cut out following that one!"

			Glowering at you, Javi gets to ${javi_his} feet and performs ${javi_his} own rendition of the speech. It's powerful, certainly, and Javi injects pathos into Lyan's words, but the rest of the club is not at all as engrossed as they were with your performance. 
		*else
			*set dc_following %-secondary_mid_change
			*set ragrades %-secondary_mid_change
			Strong, and true."

			You recall the words well enough,
			*label drama_lost
			but you sense your voice getting lost in the acoustics. The others in the Drama Club start shuffling their feet as you continue the speech.
			*label drama_fail

			Eventually, you come to a halt. Pascal applauds swiftly. "Well, yes," he says. "Thank you, $!{pc_address}! Now, $!{javi_title} Javi—your turn, please."

			Javi gets to ${javi_his} feet and reads the speech. $!{javi_his} voice is smooth and lilting, and ${javi_he} @{javi_singular injects|inject} pathos into Lyan's words. There's a beat of silence as ${javi_he} @{javi_singular finishes|finish}, and Pascal cheers.

			"Bravo!" he says. "Excellent work!"
*page_break
The remaining students read the same soliloquy. Some are better than others, but Pascal is delighted with every performance, seemingly eager to build an encouraging atmosphere for the group.

Once everyone has finished, he says, "Now. The performance will be in the spring, so we must get going. I suggest we perform something by Charles—[i]Lyan[/i], perhaps. It's nice and traditional, and perfect for Archambault."

Javi shifts restlessly. "I'd rather do something more modern. What about something by Aerni? [i]The Butterfly[/i]?"

"Or," says Yannick, putting up his hand, "what about [i]Mathieu Avenarius[/i] by Charles? You know, when everyone gets murdered. That'd be much more exciting!"

Javi looks down ${javi_his} nose at Yannick. "Do we really need intense violence to draw people's interest?"

You consider. [i]Lyan[/i], as Pascal says, is the most familiar. It's a classic play, with a tragic young person adrift amidst tense politics and family drama. You've seen [i]The Butterfly[/i]: it's sparse and modern, with intense emotion between the characters, but it can be hard to tell what's going on. From what you recall of [i]Mathieu Avenarius[/i], it involves cannibalism. It would certainly be thrilling, though not to everyone's taste.
*fake_choice
	#I vote for [i]Lyan[/i].
		*set playchoice 1
		*set play_name "[i]Lyan[/i]"
		Both Yannick and Javi look disappointed. "Really," Javi says, as though you've suggested finger-painting the backdrop.

		Pascal spreads his hands. "I can't say I'm disappointed at the suggestion," he says. "But I think you need to persuade your colleagues, $!{pc_address}."

	#I want to put on [i]The Butterfly[/i].
		*set playchoice 2
		*set play_name "[i]The Butterfly[/i]"
		Javi starts to argue with you as though ${javi_he} expected you to choose one of the others, then pauses in surprise as ${javi_his} brain catches up. "Oh," ${javi_he} @{javi_singular says|say}.

		Yannick groans. "Oh, no, please not that. No one would get their heads round it."
		*goto pascalpersuade
	#We should perform [i]Mathieu Avenarius[/i].
		*set playchoice 3
		*set play_name "[i]Mathieu Avenarius[/i]"
		Yannick looks delighted, but Javi scowls. "Really," ${javi_he} @{javi_singular says|say} as though you've suggested finger-painting the backdrop. "That sensationalist rubbish?"
		*label pascalpersuade

		Pascal spreads his hands. "I'm an impartial observer," he says, "but I think you need to persuade your other colleagues, $!{pc_address}."

Everyone turns to look at you, some with more skeptical expressions than others.
*fake_choice
	#I lie, claiming that my mother loves @{playchoice [i]Lyan[/i]|[i]The Butterfly[/i]|[i]Mathieu Avenarius[/i]|}.
		"My mother, Queen Estell, has such fondness for @{playchoice [i]Lyan[/i]|[i]The Butterfly[/i]|[i]Mathieu Avenarius[/i]|}," you say. "It's her favorite play. I think she'd love to know that's what we were doing."

		*if underhanded > underhanded_mid_pass
			*set dc_following %+secondary_mid_change
			*set dc_divas %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			Javi @{(playchoice = 2) looks impressed despite ${javi_him}self|rolls ${javi_his} eyes, clearly seeing through your ruse}; Yannick @{(playchoice = 3) claps his hands. "So we'd be supporting Queen Estell!" he says. "I can't see any better endorsement."|nods slowly. "I suppose it's a good endorsement," he says. "All right, I'm sold!"}
			*goto drama_win
		*else
			*set dc_following %-secondary_mid_change
			*set dc_divas %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto drama_lose
	#I tell them it'll please the audience. That's the important thing.
		"We've got the chops to make it compelling for the audience," you say. "They'll love @{playchoice [i]Lyan[/i]|[i]The Butterfly[/i]|[i]Mathieu Avenarius[/i]|}!"

		*if entertaining > entertaining_mid_pass
			*set dc_following %+secondary_mid_change
			*set dc_divas %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			Javi @{(playchoice = 2) looks impressed despite ${javi_him}self|rolls ${javi_his} eyes}; Yannick @{(playchoice = 3) claps his hands. "Exactly!" he says.|nods slowly. "I suppose that makes sense," he says. "The play will be what we make of it. All right, I'm sold!"} 
			*goto drama_win
		*else
			*set dc_following %-secondary_mid_change
			*set dc_divas %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto drama_lose
	#I say it's happening, and that's the end of it.
		"We need to work together to make this happen before spring," you say firmly. "So I'm making the choice. @{playchoice [i]Lyan[/i]|[i]The Butterfly[/i]|[i]Mathieu Avenarius[/i]|} it is."

		*if authoritative > authoritative_mid_pass
			*set dc_following %+secondary_mid_change
			*set dc_divas %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			Javi @{(playchoice = 2) looks impressed despite ${javi_him}self|rolls ${javi_his} eyes}; Yannick @{(playchoice = 3) claps his hands. "Exactly!" he says.|nods slowly. "I suppose that makes sense," he says. "$!{pc_address_indirect} has the right idea. All right, I'm sold!"}
			*goto drama_win
		*else
			*set dc_following %-secondary_mid_change
			*set dc_divas %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto drama_lose
	#I tell them this will be intellectually fulfilling.
		"I've always wanted to be part of something as challenging as this," you say. "It would mean so much to me to make it happen."

		*if eloquent > eloquent_mid_pass
			*set dc_following %+secondary_mid_change
			*set dc_divas %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			Javi @{(playchoice = 2) looks impressed despite ${javi_him}self|rolls ${javi_his} eyes}; Yannick @{(playchoice = 3) claps his hands. "Exactly!" he says.|nods slowly. "Well, we wouldn't want to disappoint $!{pc_address_indirect}," he says. "All right, I'm sold!"}
			*label drama_win

			The rest of the students nod and murmur with approval. Pascal nods with satisfaction. "I must say, that's the easiest decision we've had at this part of the proceedings," he says to you. "In
		*else
			*set dc_following %-secondary_mid_change
			*set dc_divas %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*label drama_lose
			Javi snorts, and the other students murmur uncertainly. The murmur rises to a grumble, and Pascal clears his throat impatiently.

			"Well, we're going to be performing @{playchoice [i]Lyan[/i]|[i]The Butterfly[/i]|[i]Mathieu Avenarius[/i]|}," he says, "and you'll have to learn to like it. In
any case, we're about finished for now. We'll meet again in a couple of days. Good work, everyone!"
*page_break
As the others leave, Javi lingers behind in the theater. "You need to back away," ${javi_he} @{javi_singular says|say}, glowering. "I'm not having you taking charge every time we have a Drama Club session."
*fake_choice
	#"You don't own Drama Club."
		Javi's golden eyes glint. "And neither do you."
		*goto javi_modulestart
	#"All I want is for it to work well."
		Javi's golden eyes glint. "And so do I."
		*goto javi_modulestart
	#"I'm not taking charge!"
		Javi's golden eyes glint. "You could have fooled me."

		*label javi_modulestart
		*if (not(module_javi_1))
			*gosub_scene modules_javi javi_hub
		*else
			$!{javi_he} @{javi_singular storms|storm} away, slamming the door to the theater behind ${javi_him}.
	#I walk off. I don't want to get into it with Javi.
		*set calm %+opposed_mid_change
		You turn on your heel and leave, swinging your satchel over your shoulder. Whatever Javi's expression is, you do not see it.
Another bell rings, signaling that you need to head for your Mathematics class.
*goto announce_gallatin

*label tryout_council
*set playchoice 1
Dominique has already sidled over to sign up for the Student Council, along with the quiet student, Gabi, who was taking notes at the front. @{sc_like You stride|With some reluctance, you walk} up to Clemence and sign your name on the clipboard.

"Wonderful!" Clemence says happily. "We'll meet in my classroom in half an hour."
*page_break
You arrive at Clemence's class at the same time as Gabi, the student you noticed in the theater. Their shirt and pants are unwrinkled, their tie is immaculate, and their heavy, dark hair is cut in a neat bob. They bow smoothly to you.

"I'm so looking forward to working with you, ${pc_address}," they say with a touch of officiousness. 

Together, you enter the classroom and take your seats. Clemence has set up desks facing each other, putting you in mind of a parliamentary session. Clemence is watching from their desk, taking notes while most of the students are sitting around chatting. Dominique is sitting on one of the tables, cross-legged.

"…so, I think maybe it's best if we start work now," says Dominique, but the chatter does not abate.

Clemence coughs. "Be a little firmer," they say kindly. Gabi nods along, but Dominique looks alarmed.
*fake_choice
	#"Keep them entertained, Dominique. That'll help them focus."
		*set forceful %-opposed_mid_change
		*set dominique_determined %-opposed_mid_change
		*if entertaining > entertaining_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			Dominique shoots you a grateful smile.
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto gabisigh
	#"Think of something you can offer them, and they'll be on your side."
		*set planner %-opposed_mid_change
		*set dominique_determined %+opposed_mid_change
		Dominique nods quickly. "Come on, everyone," ${dominique_he}
		*if underhanded > underhanded_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			@{dominique_singular says|say}. "Once we do this, I'll get us some candied apples!"

			The room falls quiet, and Dominique shoots you a grateful smile.
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			@{dominique_singular says|say}.

			No one seems to hear, or if they do, they don't pay attention. Gabi sighs very obviously.

			Dominique shoots you a nervous smile.
	#"Go on, Dominique, speaking up is best. You can do it."
		*set forceful %+opposed_mid_change
		*set dominique_determined %+opposed_mid_change
		*if eloquent > eloquent_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			Dominique bites ${dominique_his} lip and straightens up, though ${dominique_his} posture still doesn't match Gabi's.
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto gabisigh
	#"Quiet down, everyone. Now."
		*set planner %+opposed_mid_change
		*set dominique_determined %-opposed_mid_change
		*if authoritative > authoritative_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			The room falls silent straightaway, and Dominique shoots you a grateful smile.
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*label gabisigh
			Gabi sighs very obviously, and Dominique shoots you a nervous smile.
"So," ${dominique_he} @{dominique_singular says|say}. "We were discussing the Winter Ball!"

It seems Archambault Academy and $!{gallatin_name} College have a tradition of meeting for a Hearthlight celebration before the end of the Winter Term. You've not met any of the $!{gallatin_name} students yet, of course, but Clemence intimates that you'll have a chance to socialize before the ball.

"We have to outdo what they did last time," Dominique says. "It was fireworks before. I was thinking a hot air balloon ride."

Gabi looks horrified. "That's incredibly dangerous!" they burst out. "How could we organize something like that in good conscience? A carriage ride would be much more appropriate."

Someone else puts up a hand and suggests a boat trip, and the discussion devolves into argument. Clemence catches your eye, saying nothing, but this must all be part of the Leadership Class experience.
*fake_choice
	#I vote for a hot air balloon ride.
		*set winterballchoice 1
		"I'd love a hot air balloon ride," you say. "It's not something that's been done before. Everyone will remember it for years!"

		Dominique beams at you, but Gabi frowns at you from beneath their heavy bangs.

		"The bylaws of Reichner County," they say, "strongly discourage loud noises at night. It's a farming issue."

	#I'm all for carriage rides.
		*set winterballchoice 2
		"Carriage rides would be wonderfully sedate," you say. "It's not about putting on a vast spectacle. It's about celebrating Hearthlight together."

		Gabi nods approvingly, but Dominique groans. "It would be so boring, though," ${dominique_he} @{dominique_singular says|say}. "It's the same thing that happens every year."

	#A gondola ride would be a great way of finishing the ball.
		*set winterballchoice 3
		"The river's gorgeous around here," you say. "Can you imagine riding in a gondola while it snows?"

		Neither Gabi nor Dominique looks impressed. Dominique shuffles ${dominique_his} feet, and Gabi starts rattling off reasons why life vests would be difficult to combine with evening wear.
Some of the others start muttering amongst themselves, not going so far as to disagree with you directly, but you're certain they'll cause problems if you don't address it now.
*fake_choice
	#I snap at them to do what I say.
		"I'm making an executive decision," you say. "It'll be a @{winterballchoice balloon|carriage|boat|BUG} ride, and that's final."
		*if authoritative > authoritative_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			*goto winterballchoice_success
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto winterballchoice_fail
	#I claim my mother would support my choice.
		"What I do know," you say, with a meaningful weight behind your words, "is that my mother always loves @{winterballchoice balloon|carriage|boat} rides at night."
		*if underhanded > underhanded_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			*goto winterballchoice_success
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto winterballchoice_fail
	#I entreat them to go with it because it would mean a lot to me.
		You spread your hands. "I've always wanted to throw an event like this," you say. "And I think a @{winterballchoice balloon|carriage|boat} ride would cap off the evening wonderfully."
		*if appealing > appealing_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %+secondary_mid_change
			*goto winterballchoice_success
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %-secondary_mid_change
			*goto winterballchoice_fail
	#I convince them by referencing the money we'll save in other areas.
		You wait for a lull in the argument. Then you raise your hand, and rattle off a series of calculations about the financial implications of choosing a @{winterballchoice balloon|carriage|boat} ride for the event.
		*if eloquent > eloquent_mid_pass
			*set sc_following %+secondary_mid_change
			*set sc_controlling %+opposed_mid_change
			*set ragrades %+secondary_mid_change
			*label winterballchoice_success

			*if winterballchoice = 1
				Gabi subsides; Dominique nods eagerly. "Let's start with thinking about the colors," ${dominique_he} @{dominique_singular says|say}. "Maybe we can do a graduated pattern."
			*elseif winterballchoice = 2
				Dominique subsides; Gabi nods briskly. "I think we should consider how many students per carriage will be allowed," they say. "It might save money to have more than two."
			*elseif winterballchoice = 3
				Dominique and Gabi exchange a look, then nod. "Let's think about how the gondolas will look," Dominique says.
			*else
				*bug winterballchoice = ${winterballchoice}; expected value 1-3
			*page_break
			Amongst yourselves, you start making plans for the event. It's evening when you finish, and by that time you've drawn everything up in more detail. Dominique says ${dominique_he} @{dominique_singular wishes|wish} it were the end of term already, and Clemence laughs.

			"Don't wish your time at the Academy away," they say.
		*else
			*set sc_following %-secondary_mid_change
			*set sc_controlling %-opposed_mid_change
			*set ragrades %-secondary_mid_change
			*label winterballchoice_fail

			*if winterballchoice = 1
				"Yes, but," Gabi says. "I don't think it's wise in the winter weather."

				"$!{pc_address_indirect_d} said what ${rahe} said!" Dominique snaps.
			*elseif winterballchoice = 2
				"But, but!" Dominique says. "It won't stand out. No one will remember it!"

				"$!{pc_address_indirect_d} said what ${rahe} said!" Gabi snaps.
			*elseif winterballchoice = 3
				"I don't think the currents will be suitable for boat rides at that time of year," Gabi says as though you hadn't spoken.

				"Yes, and where would we get gondolas from anyway?" Dominique says.
			*else
				*bug winterballchoice = ${winterballchoice}; expected value 1-3

			Clemence stands up. "Come on, everyone," they say. "$!{pc_address_indirect}'s decision is perfectly sound. Let's talk about how we'll make it happen."
			*page_break
			Despite Clemence stepping in, the discussion is fraught and tense. It's evening when you finish, and everyone is tired and fractious by the end. "It feels like the end of term's going to be next week," Dominique groans.

			"Don't worry," Clemence says. "You've got plenty of time."
*if (not(module_dominique_1))

	Afterwards, Dominique dawdles in the corridor to speak with you, looking preoccupied.
	*gosub_scene modules_dominique dominique_hub
*else
	Another bell rings, signaling that you need to head for your next Mathematics class.
*label announce_gallatin
*page_break The Days Pass
As fall sets in, the bite in the air grows. On the first day of frost, your shoes crunch on the fallen leaves, and your breath steams in the air. Pascal announces at breakfast that the older students from Archambault will be attending $!{gallatin_name} College for a formal dinner.

*if ((creme_references) and (gallatin_scandal))
	"Now, we're not going to let the unfortunate business from a little while back hold us back from enjoying ourselves," Pascal says.
	*if gallatin_fate <= 2
		"It's under marvelously exciting new leadership these days, with its new name and all that.
		*if gallatin_fate = 2
			It's under marvelously exciting leadership these days. Why, I hired the Headteacher myself! I always enjoy a good @{gate_alcohol chat|brandy} with her."
		*else
			I always enjoy a good @{gate_alcohol chat|brandy} with the Headteacher over there."
	*elseif gallatin_fate = 3
		"It's under very sensible leadership these days. I always enjoy a good @{gate_alcohol chat|brandy} with the Headteacher."
	*elseif gallatin_fate = 4
		"It's under very compassionate leadership these days. Why, the Headteacher there is lovely."
	*elseif gallatin_fate = 5
		"It's under very exciting leadership these days. I always enjoy a good debate with the Headteacher there."
	*elseif gallatin_fate = 6
		*if renaldt_fate = 4
			"It was all cleared up and the Headteacher was thoroughly exonerated, so we'll have a wonderful evening."
		*else
			"We'll have a wonderful evening."
	*else
		"We'll have a wonderful evening."
*else
	"Now, we're going to comport ourselves with our usual enthusiasm and aplomb," Pascal says. "It'll be a wonderful evening."

*if leadership = 1
	Beaumont gives you a significant look. "We can scout out their Athletics team," ${beaumont_he} @{beaumont_singular says|say}. "I wonder what their strengths are."

	"They won't be doing Athletics tryouts," Javi scoffs. "They'll be fishing for spouses."
*elseif leadership = 2
	Javi turns to Yannick. "There, you can find out their taste in playwrights," ${javi_he} @{javi_singular says|say}. "But mostly they'll be fishing for spouses."
*elseif leadership = 3
	Dominique gives you a significant look. "We can find out what they'd like for the Winter Ball!" ${dominique_he} @{dominique_singular says|say}. "So it's perfect."

	"They won't be thinking about that," Javi scoffs. "They'll be fishing for spouses."
*else
	*bug leadership is ${leadership}; expected value 1-3

Beside you, Asher says softly, "I've been checking it over each day this week. It's a beautiful set of buildings."
*fake_choice
	#"You don't have to do that."
		Asher ducks ${asher_his} head with a smile. "Of course I do."

	#"I appreciate your work."
		Asher ducks ${asher_his} head with a smile. "Thank you."

	#"I wondered where you'd been."
		Asher tucks a strand of hair behind ${asher_his} ear with a smile. "I hope you didn't miss me."

	#"It's only dinner. What would happen to me?"
		Asher shrugs with a smile. "Nothing," ${asher_he} @{asher_singular says|say}. "Because I've been doing my job properly."

Dominique pipes up. "I heard," ${dominique_he} @{dominique_singular says|say}, "that
*if headteacher = 1
	Auguste Renaldt is off in Jezhan now, doing diplomacy or something."
*elseif headteacher = 2
	$!{gallatin_name} doesn't concentrate on marriage so much these days, now that $!{headteacher_name}'s in charge. It's more about preparation for university."
*elseif headteacher = 4
	the parents aren't too happy about $!{headteacher_name}'s leadership. Apparently he's not academically rigorous enough."
*elseif ((headteacher = 3) or (headteacher = 5))
	$!{gallatin_name} doesn't concentrate on marriage so much these days, now $!{headteacher_name}'s in charge. But apparently the parents aren't happy about that."
*else
	*bug headteacher is ${headteacher}; expected value 1-5

Beaumont snorts. "How do you find out and remember all that, and yet you never remember what time it is?"

"Because this is actually interesting," Dominique says as though that's patently obvious.

With a flamboyant gesture, Pascal dismisses you all for lessons, but the trip is the only thing on anyone's minds. In the afternoon, you troop over to Vercher House to get yourselves ready.
*fake_choice
	#I go straight to the mirror to check my reflection.
	#I change into a fresh uniform straightaway, then finish off my look.
	*if (roomextra = 5)
		#I take a bath before I do anything else.
			Though the bath is deliciously relaxing, the citrus-flavored bubbles make your skin tingle. When you towel yourself off, you feel bright and ready for the evening.

	*if (roomextra = 2)
		#I have to finish my book before I do anything else.
			The book is as familiar as your own hands: [i]The Sea Kingdom[/i], which your mother gave you when you were thirteen. It's nostalgic, to be sure, but as you read it now that you're older, you better understand the satirical points the author was making about the relationships between Jezhan and Teran.

			When you set the book aside, there's still enough of the afternoon free to get ready.
	*if (roomextra = 4)
		#I take a moment to center myself by watching the clouds through my skylight before anything else.
			Lying in your bed, you watch the clouds scudding across the bright blue sky. The fall winds are growing more intense as the month passes; soon, winter will be here in earnest.

			By the time you sit up again, your mind feels clear and ready for tonight.
	*if (roomextra = 3)
		#I water the plants on my balcony before I do anything else.
			Outside, the clouds are scudding across the bright blue sky. The brisk fall winds have grown more intense as the months pass; soon, winter will be here in earnest. You take time to water the lavender; as you brush your fingers across the flowers, the scent wafts up. It's only a few minutes' work to dead-head the yellow roses, but having the fresh air makes your mind feel clear and ready for tonight.

You're to wear your uniform for the dinner, unlike other occasions when evening wear will be expected; still, you have leeway to make your outfit your own.
*gosub outfitchoice

When you emerge into your suite, Asher is waiting in the sitting room, dressed impeccably in ${asher_his} dress livery. $!{asher_his} pale hair is carefully smoothed back, and ${asher_he} @{asher_singular looks|look} like ${asher_he} @{asher_singular doesn't|don't} know what to do with ${asher_his} hands.

*if romance_expressed_asher
	"Oh! Hello," ${asher_he} @{asher_singular says|say}, getting to ${asher_his} feet. "You look—that is, you look…"
*else
	"Ready for the trip?" ${asher_he} @{asher_singular says|say}, getting to ${asher_his} feet.
*fake_choice
	#"You look very smart."
		*set rel_asher %+rel_hi_change
		Asher beams at you, then holds
	#"Let's get going."
		*set rel_asher %+rel_small_change
		Asher nods and holds
	#I nod and head for the door.
		*set rel_asher %-rel_small_change
		Asher holds
	*if (((raaromantic = false) or (ragreyaro)) and (romance_rejected_asher = false))
		#I smile at Asher. "You look lovely."
			*set rel_asher %+rel_mid_change
			A flush spreads across Asher's cheeks, and ${asher_he} @{asher_singular rushes|rush} to hold
	*if (not(romance_rejected_asher))
		#"Looking good. The $!{gallatin_name} students won't know what hit them."
			*set rel_asher %-rel_small_change
			Asher lets out an embarrassed laugh, and rushes to hold
the door open for you as you head out into the evening air.

The sun has nearly set; a faint stain of crimson peeps over the line of mountains. Carriages snake along the drive in a long convoy; $!{groundskeeper} calms one of the more restive horses. You spot $!{leadership_name} and a cluster of other students ahead, filing two by two into their carriages.
*gosub_scene worldstate closestclassmate

*if closestclassmate = 1
	Beaumont catches your eye and hurries over. $!{beaumont_he} @{beaumont_singular looks|look} the same as ${beaumont_he} always @{beaumont_singular does|do}, though there's a touch of anticipation in ${beaumont_his} expression. "Would you like to travel there together?" ${beaumont_he} @{beaumont_singular says|say}.
*elseif closestclassmate = 2
	Dominique catches your eye and hurries over. $!{dominique_he}@{dominique_singular 's|'re} wearing a very fine ruffled coat in pale gray wool, and ${dominique_his} wavy hair bounces with ${dominique_his} stride. "Shall we travel there together?" ${dominique_he} @{dominique_singular says|say}.
*elseif closestclassmate = 3
	Standing next to ${javi_his} bodyguard Ibarra, Javi is examining ${javi_his} rings, and does not look at you. The coppery shimmer on ${javi_his} cheekbones matches the thin necklace at ${javi_his} throat.
*else
	*bug closestclassmate is ${closestclassmate}, expected value 1-3
*fake_choice
	#@{(closestclassmate < 3) "Of course, I'd like that!"|"Would you do me the honor of traveling together, Javi?"}
		*set carriageride {closestclassmate}
	#@{(closestclassmate < 3) "All right, if you like."|"Well, let's do this. Javi, shall we embark?"}
		*set carriageride {closestclassmate}
	#@{(closestclassmate < 3) "I think I'd rather travel with someone else."|I glance over at one of the others.}
		*if closestclassmate < 3
			"Of course," @{(closestclassmate = 1) Beaumont|Dominique} says, and heads for one of the other carriages. Javi and @{(closestclassmate = 1) Dominique|Beaumont}
		*else
			Beaumont and Dominique
		still remain; you can travel to $!{gallatin_name} with one of them, you're sure.
		*fake_choice
			*if (closestclassmate != 1)
				#"Beaumont, let's go together."
					*set rel_beaumont %+rel_mid_change
					*set carriageride 1
			*if (closestclassmate != 2)
				#"Shall we, Dominique?"
					*set rel_dominique %+rel_mid_change
					*set carriageride 2
			*if (closestclassmate != 3)
				#"Javi, I'd like to travel with you."
					*set rel_javi %+rel_mid_change
					*set carriageride 3

*if carriageride = 1
	You and Asher step into the carriage, and Beaumont follows, settling opposite the two of you. As the carriage starts moving, Beaumont rubs ${beaumont_his} gloved hands together.

	"I've heard," ${beaumont_he} @{beaumont_singular says|say} with relish, "that Head Prefect Trevelyan hates the Beaumont Financiers. Doesn't approve of the company's methods. I'm desperate for an argument about it."

	Before Beaumont's parents died, they ran Beaumont Financiers. They'd been in banking for generations; presumably Beaumont is in charge of the company as well as the family's holdings. Certainly, the company is famously wealthy. Why the Head Prefect of $!{gallatin_name} wouldn't approve of that, you do not know.
	*fake_choice
		#"I prefer avoiding those kinds of arguments."
			*set forceful %-opposed_mid_change
			*goto b_noargue_win
		#"I love destroying someone in a debate!"
			*set ruthless %+opposed_mid_change
			*goto b_argue_win
		#"I enjoy passionate arguments."
			*set calm %-opposed_mid_change
			*label b_argue_win
			Beaumont leans forward, resting ${beaumont_his} elbows on ${beaumont_his} knees. You see the glimmer of ${beaumont_his} fierce grin in the dim shadows of the carriage. "That's what I like to hear," ${beaumont_he} @{beaumont_singular says|say}.				

		#"I'd rather get to know someone in a relaxed way."
			*set forceful %-opposed_mid_change
			*label b_noargue_win
			Beaumont leans forward, resting ${beaumont_his} elbows on ${beaumont_his} knees. You see the glimmer of ${beaumont_his} smile in the dim shadows of the carriage. "Well, don't worry," ${beaumont_he} @{beaumont_singular says|say}. "I'll do all the arguing for you, so you won't have to get involved."

			$!{beaumont_he} @{beaumont_singular catches|catch} ${beaumont_him}self, seeming to realize how that sounds.

			"I mean," ${beaumont_he} @{beaumont_singular says|say}, "I'll make sure to do it when I'm not near you."

	*if asherhabit < 3
		Beaumont turns to Asher, fixing ${asher_him} with ${beaumont_his} intense dark gaze.

		"What about you?" ${beaumont_he} @{beaumont_singular says|say}. "What do you want from this evening?"

		Asher looks surprised to be spoken to, but smiles politely.
	*else
		Asher @{(asher_diffident > asher_diffident_mid) coughs politely|leans forward}.
	"I've heard Hyacinthe van Clare is studying at $!{gallatin_name}," ${asher_he} @{asher_singular says|say}. "The dancer, you know? I wonder if there'll be a recital."

	Beaumont shrugs. "I don't go in for the arts," ${beaumont_he} @{beaumont_singular says|say}.
	*fake_choice
		#"It's the same for me. I prefer other subjects."
			*set arts_opinion 1
		#"I like the arts, but I don't know if I always understand them."
			*set arts_opinion 2
		#"Art's all around us, and I love that."
			*set arts_opinion 3
	*if arts_opinion = 3
		Beaumont nods. "That's impressive, if nothing else. Like Drama Club—I can't get my head round the emotion spilling all over the place."
	*else
		Beaumont @{(leadership = 2) snorts. "It'll be interesting to see how Drama Club goes for you, then."|nods. "Exactly. I couldn't get involved with Drama Club. Too much emotion spilling all over the place."}
*elseif carriageride = 2
	You and Asher step into the carriage, and Dominique follows, settling opposite the two of you. As the carriage starts moving, Dominique eagerly peers out of the window.

	"I love going to $!{gallatin_name}, it's so nice to be out and about," ${dominique_he} @{dominique_singular says|say}. "Though everyone will want to get to know you. None of the rest of us will get a look in."

	$!{dominique_he} @{dominique_singular speaks|speak} without rancor, and @{dominique_singular flashes|flash} you a smile over ${dominique_his} shoulder.
	*fake_choice
		#"At least my role has a few perks."
			*set ruthless %+opposed_mid_change
			*gosub dominiquesit
			broad smile.

			"You should enjoy the perks!" ${dominique_he} @{dominique_singular says|say}. "I wouldn't want to be @{dominique_gender a prince|a princess|a royal}. So much hard work. So many people watching you all the time!"

		#"I don't want to get too entangled. That would be unwise."
			*set forceful %-opposed_mid_change
			*gosub dominiquesit
			broad smile.

			"You're far too sensible," ${dominique_he} @{dominique_singular says|say} cheerfully.

		#"I can put in a good word for you."
			*set ruthless %-opposed_mid_change
			*gosub dominiquesit
			broad smile.

			"You're absolutely too kind," ${dominique_he} @{dominique_singular says|say}. 

		#"The power difference feels strange, since they're not aristocrats."
			*set planner %+opposed_mid_change
			*gosub dominiquesit
			thoughtful expression.

			"I honestly hadn't thought about it like that," ${dominique_he} @{dominique_singular says|say}.

	*if asherhabit < 3
		Dominique turns ${dominique_his} bright face to Asher.

		"What about you?" ${dominique_he} @{dominique_singular says|say}. "Are you looking forward to tonight?"

		Asher looks surprised to be spoken to, but smiles politely.
	*else
		Asher @{(asher_diffident > asher_diffident_mid) coughs politely|leans forward}.
	"I've heard Hyacinthe van Clare is studying at $!{gallatin_name}," ${asher_he} @{asher_singular says|say}. "The dancer, you know? I wonder if there'll be a recital."

	Dominique clasps ${dominique_his} hands. "Oh, yes, Hyacinthe's a phenomenal dancer," ${dominique_he} @{dominique_singular says|say}. "Really quite formal. But I love ballet, even if I don't understand what's going on half the time."
	*fake_choice
		#"I tend to prefer other subjects."
			*set arts_opinion 1
			"Oh, but the other subjects have so much reading, and essays," says Dominique, as though the arts are free of such things.

		#"I like the arts, but I don't know if I always understand them."
			*set arts_opinion 2
			"Oh, I know how you feel," Dominique says. "Sometimes when people are talking about it, I don't know what to say. Other than that, it's beautiful."

		#"Art's all around us, and I love that."
			*set arts_opinion 3
			"Oh, I know exactly how you feel!" Dominique says. "Don't you love going to a gallery and seeing what people have made out of nothing?"

*elseif carriageride = 3
	You and Asher step into the carriage, and Javi and Ibarra follow, settling opposite the two of you. As the carriage starts moving, Ibarra nudges Javi lightly in the side. Javi frowns, and clears ${javi_his} throat.

	"I apologize for putting you in an awkward position on my first night here, $!{asher_title} Garnett," ${javi_he} @{javi_singular says|say} stiffly. "It wasn't appropriate of me."

	Asher looks alarmed. "Oh!" ${asher_he} @{asher_singular says|say}. "I…thank you, Your Highness? @{javifight I|It was no problem for me, since $!{pc_title} $!{raname} stepped in. But I|I admit I was pleased when a fight didn't happen. But I|} wouldn't dream of criticizing your judgment."

	$!{asher_he} @{asher_singular glances|glance} at you uncertainly.
	*fake_choice
		#"I suspect you have your own agenda, Javi."
			*set javi_indiv %+opposed_mid_change
			*if underhanded > underhanded_mid_pass
				*set rel_javi %+rel_mid_change
				*set rel_asher %+rel_mid_change
				Javi rolls ${javi_his} eyes. "Well, of course I do," ${javi_he} @{javi_singular says|say}. "So does everyone. But that doesn't mean I'm not sorry."
				
				*goto ashergrateful
			*else
				*set rel_javi %-rel_mid_change
				*set rel_asher %-rel_mid_change
				Javi tuts. "You can act like there's some big conspiracy all you like," ${javi_he} @{javi_singular says|say}. "It makes no difference to me."
				
				*goto asher_uncomfort

		#I smooth things over with a joke.
			*set javi_indiv %+opposed_mid_change
			"Next time you want to pick a fight," you say, "I recommend Dominique. $!{dominique_he}'d be too busy being excited that you were talking to ${dominique_him} to bother fighting back."

			*if entertaining > entertaining_mid_pass
				*set rel_javi %+rel_mid_change
				*set rel_asher %+rel_mid_change
				Javi snorts a laugh.
				*goto ashergrateful
			*else
				Javi tuts. "I doubt Dominique would like to hear you talking about ${dominique_him} that way," ${javi_he} @{javi_singular says|say}.

				*goto asher_uncomfort

		#"Of course you should apologize. You were out of line."
			*set javi_indiv %-opposed_mid_change
			*if authoritative > authoritative_mid_pass
				*set rel_javi %+rel_mid_change
				*set rel_asher %+rel_mid_change
				Javi looks startled.
				*goto javiagree
			*else
				*set rel_javi %-rel_mid_change
				*set rel_asher %-rel_mid_change
				Javi scowls out of the window.
				*goto asher_uncomfort
		#"I'm glad Asher was all right in the end."
			*set javi_indiv %-opposed_mid_change
			*if appealing > appealing_mid_pass
				*set rel_javi %+rel_mid_change
				*set rel_asher %+rel_mid_change
				*label javiagree
				"Well, yes, that's why I thought I should say it," ${javi_he} @{javi_singular says|say}.
				*label ashergrateful
				Asher @{romance_expressed_asher leans against your side, just for a moment. Anyone looking would assume it was simply the motion of the carriage|gives you a grateful smile}. 				
			*else
				*set rel_javi %-rel_mid_change
				*set rel_asher %-rel_mid_change
				Javi looks skeptical.
				*label asher_uncomfort
				Asher looks as though ${asher_he} @{asher_singular wishes|wish} ${asher_he} could convincingly pretend that ${asher_he} @{asher_singular isn't|aren't} there.				

	After a brief pause,
	*if asherhabit < 3
		Javi returns ${javi_his} attention to Asher. "So," ${javi_he} @{javi_singular says|say}, "are you looking forward to tonight?"

		Asher sits up very straight.
	*else
		Asher @{(asher_diffident > asher_diffident_mid) coughs politely|leans forward}.
	"I've heard Hyacinthe van Clare is studying at $!{gallatin_name}," ${asher_he} @{asher_singular says|say}. "I hope there'll be a recital."

	For the first time this evening, Javi looks genuinely interested. "Oh, I've heard that!" ${javi_he} @{javi_singular says|say}. "I adore ballet. All performing arts, really."
	*fake_choice
		#"I tend to prefer other subjects."
			*set arts_opinion 1
			*if leadership = 2
				"Then why did you join Drama Club—" Javi starts to say, then subsides; ${javi_he}@{javi_singular 's|'re} obviously determined to be on good behavior tonight.
			*else
				"Yes, that makes sense," Javi says. "I didn't have the impression you had much in the way of artistic leanings."

		#"I like the arts, but I don't know if I always understand them."
			*set arts_opinion 2
			Javi's expression sharpens. "Well, you ought to pay more attention, then," ${javi_he} @{javi_singular says|say}.

		#"Art's all around us, and I love that."
			*set arts_opinion 3
			Javi's expression relaxes. "I know what you mean," ${javi_he} @{javi_singular says|say}, ${javi_his} voice quiet.

Asher starts to say something enthusiastic, but the carriage begins to slow, then halts. The driver thumps the roof. You have arrived at $!{gallatin_name} College.
*page_break
Asher emerges from the carriage first, and helps you down the steps. @{carriageride Beaumont follows|Dominique follows|Javi and Ibarra follow|}. You're faced with a vast stone archway leading to a quadrangle glowing with electric lamps. A coat of arms bearing a scroll and a swan sits above the arch; beneath it is a carved inscription reading [i]Truth is found in gentility[/i].

Servants usher you into an auditorium whose high buttresses soar overhead. Students dressed in gray and red uniforms sit upon wooden benches; on the stage, beneath another swan-bedecked coat of arms, sit the $!{gallatin_name} teachers.
*if ((creme_gallatin) and ((creme_references) and (gallatin_scandal)))
	Murmurs rise around you, and you recognize $!{creme_firstname} $!{creme_surname}'s name. Someone points ${creme_him} out as having been involved with @{(renaldt_fate = 4) whatever happened at Gallatin|the Gallatin incident} a few years ago.

At the center of the stage stands
*if gallatin_fate = 3
	a tall, pale man in his thirties with faint gray at his temples, looking seriously out at the crowd. He wears an expensive, but unfussy, gray suit. "Welcome to Gallatin College," he says. "I'm pleased to see you here once more. For those who don't know me, I'm Mr. Sinclair Griffith, Headteacher of the college."
*elseif gallatin_fate = 4
	a tanned man with curly hair who looks to be in his late twenties, wearing a deep navy suit. "Welcome to Gallatin College," he says. "I'm grateful to you for attending. I'm Mr. Raphael Blanchard, Headteacher of the college."
*elseif gallatin_fate = 5
	a plump, brown woman who looks to be in her thirties wearing a deep lilac suit in satin brocade. "Welcome to Gallatin College!" she says. "It's so exciting to see you here again. For those who don't know me, I'm Ms. Cezara Dalca, Headteacher of the college."
*elseif gallatin_fate = 6
	a middle-aged, dark-skinned woman with a puff of gray-streaked hair, smiling graciously at the crowd. She wears a forest green dress with a fox-fur collar. "Welcome to Gallatin College," she says. "And how delightful to see you, Lord Haberlin, as always. I am Lady Françoise Renaldt, Headteacher of the college."
*else
	a middle-aged, dark-skinned woman whose braids shine with golden thread. She wears a royal blue suit, and surveys the crowd with a bold smile. "Welcome to New Gallatin College," she says. "For those who don't know me, I'm Ms. Marlies Vogel. It's a pleasure to see you, as always."

Pascal ascends the stage and they briefly clasp hands. Vere, Clemence, and the rest of them settle comfortably with the $!{gallatin_name} staff.
*if gallatin_fate = 6
	*if ((creme_arch) and (renaldt_work = false))
		$!{creme_firstname} isn't in @{teachers_arch attendance; neither are the other former Gallatin teachers. But|attendance. But}
	*elseif teachers_arch
		The former Gallatin teachers are not in attendance. But
	*else
		*comment empty
*if ((gallatin_fate != 6) and (teachers_arch))
	Sinclair shakes hands solemnly with $!{headteacher_name}, while Cezara and Raphael talk happily, Cezara leaning her elbows on the table to chat.
*if ((gallatin_fate != 6) and (creme_arch))
	$!{creme_firstname} looks very smart, even though ${creme_he} must be one of the youngest teachers @{hartmann_arch there, along with $!{hartmann_firstname}|there}.
*if ((gallatin_fate = 6) or ((teachers_arch = false) and (creme_arch = false)))
	Anthony leans back in his seat to talk to, or at, his colleagues, while Chiara laughs as she pats the arm of a Gallatin teacher.

"Head Prefect Trevelyan will now give a welcome speech," $!{headteacher_name} says, and applause rings out from the gathered crowd.

A student wearing glasses joins the teachers on stage, carrying a sheaf of papers.
*if ragenderchoice
	*fake_choice
		#He surveys the crowd, then launches into the speech.
			*gosub_scene worldstate trevelyan_male
		#She surveys the crowd, then launches into the speech.
			*gosub_scene worldstate trevelyan_female
		#They survey the crowd, then launch into the speech.
			*gosub_scene worldstate trevelyan_nb
*else
	$!{trevelyan_he} @{trevelyan_singular surveys|survey} the crowd, then @{trevelyan_singular launches|launch} into the speech.
	*page_break
*set mettrevelyan true
Trevelyan is a tall, square-jawed ${trevelyan_student} whose dark wavy hair shines in the candlelight. $!{trevelyan_his} brown skin is bare and unadorned. "What I'm supposed to tell you," ${trevelyan_he} @{trevelyan_singular says|say}, "is that $!{gallatin_name} College has welcomed aristocracy and royalty alike to our humble walls over the centuries. But…"

$!{trevelyan_he} deliberately @{trevelyan_singular casts|cast} aside ${trevelyan_his} notes. @{headteacher Lady Renaldt's eyes narrow, but she remains still|Mr. Griffith folds his arms impatiently, but he remains still|Ms. Dalca's face lights up with pride|Mr. Blanchard looks alarmed, but he remains still|Ms. Vogel's face lights up with pride}.

"Are we truly humble, even at $!{gallatin_name}?" Trevelyan continues. "Almost every one of us is wealthier than ninety percent of Westerlin. False modesty only serves to hide that. And as for royalty…"

$!{trevelyan_he} @{trevelyan_singular flings|fling} out an arm in your direction, and everyone turns to look at you.

"…is having @{pc_gender a prince|a princess|an heir} come here for dinner even something to be proud of, when attending a school with the rest of us is an act of political manipulation?"

There's a dramatic pause.
*fake_choice
	#I remain quiet, waiting for the rest of the speech.
		Trevelyan sweeps onward.
	#I call out in support.
		*set trevelyanspeech 1
		"Bravo!" you shout. Trevelyan bows with a wicked smile, then sweeps onward.
	#I burst out laughing. This is hilarious.
		*set trevelyanspeech 4
		Trevelyan bows with a wicked smile, then sweeps onward.
	#I call out to heckle.
		*set trevelyanspeech 3
		"Get off the stage!" you shout.

		Trevelyan bows with a wicked smile, then sweeps onward.
"In any case," ${trevelyan_he} @{trevelyan_singular says|say}, "I hope that at this dinner, we can impress those who consider themselves our superiors with our intellect rather than groveling at their feet. Thank you."

The speech is finished.
*if ((headteacher = 3) or (headteacher = 5))
	$!{headteacher_name} claps enthusiastically, beaming.
*elseif ((headteacher = 1) or (headteacher = 2))
	$!{headteacher_name}'s expression is thunderous. But ${headteacher_he} hesitates, evidently weighing up whether to remove Trevelyan from the stage altogether.
*elseif headteacher = 4
	$!{headteacher_name}'s expression is uncertain. $!{headteacher_he} hesitates, evidently weighing up how to handle this.
*else
	*bug headteacher is ${headteacher}; expected 1-5
*fake_choice
	#@{(trevelyanspeech = 4) I carry on laughing|I burst into laughter}, not holding back.
		*set trevelyanspeech 4
		*set ruthless %+opposed_mid_change
		Your laughter rings out in the quiet,
		*if calm < calm_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_trevelyan %+secondary_mid_change
			and the rest of the students around you start laughing too; as more laughter ripples through the hall, Trevelyan looks taken aback and gives you an appraising look.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_trevelyan %-secondary_mid_change
			but the rest of the students do not seem to know what to do. Scattered laughter joins you, but it quickly dies away.

	#@{(trevelyanspeech = 3) I've changed my mind. I applaud|I applaud. I want people to think I'm receptive to this}.
		*set trevelyanspeech 1
		*set calm %-opposed_mid_change
		When you start clapping, a murmur of surprise ripples outward from you, 
		*if appealing > appealing_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_trevelyan %+rel_mid_change
			and the rest of the students applaud too, growing in enthusiasm. Trevelyan looks taken aback, and gives you an appraising look.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_trevelyan %-rel_mid_change
			and your clapping rings out in the quiet. There's scattered applause around the hall, but the other students don't seem to know what to do.

	#@{((trevelyanspeech = 1) or (trevelyanspeech = 3)) I change tack, and ignore Trevelyan entirely|I ignore Trevelyan calmly}. That'll show who's superior.
		*set trevelyanspeech 2
		*set calm %+opposed_mid_change
		*set rel_trevelyan %-rel_mid_change
		You stare coolly at the stage
		*if calm > calm_mid_pass
			*set pop_school %+secondary_mid_change
			as though Trevelyan had not spoken, and an uncertain murmur ripples around the hall. On the stage, Trevelyan hesitates.
		*else
			*set pop_school %-secondary_mid_change
			but Trevelyan's smug smile cracks your resolve. Applause ripples around the hall, even amongst the students sitting close to you.

	#@{(trevelyanspeech = 1) I've changed my mind. I shout something mocking|I shout out something to mock ${trevelyan_him}}.
		*set trevelyanspeech 3
		*set forceful %+opposed_mid_change
		"So how many houses does your family own?" you call.

		*if entertaining > entertaining_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_trevelyan %+rel_mid_change
			Trevelyan's smile wavers, and ${trevelyan_he} @{trevelyan_singular looks|look} embarrassed for the first time. "My father rents an apartment in Ramley," ${trevelyan_he} @{trevelyan_singular says|say}; a ripple of amusement goes around the hall.
		*else
			*set pop_school %-secondary_mid_change
			Trevelyan snorts. "None. My father rents an apartment in Ramley," ${trevelyan_he} @{trevelyan_singular says|say} sharply. Applause ripples around the hall, even amongst the students sitting close to you, and Trevelyan's smile widens.

	#@{(trevelyanspeech = 3) I've changed my mind,|I agree with ${trevelyan_his} points,} and I'll say so to my companions.
		*set trevelyanspeech 1
		*set forceful %+opposed_mid_change
		"The Head Prefect has a point," you say. "We're only superior to the $!{gallatin_name} students by birth, not by merit."

		A murmur of surprise ripples around the students close to you,
		*if eloquent > eloquent_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_trevelyan %+rel_mid_change
			and then applause starts up. Trevelyan looks startled at the reception.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_trevelyan %-rel_mid_change
			and applause scatters around the hall. Still, the other students don't seem to know what to do.

$!{headteacher_name} rises,
*if ((headteacher = 1) or (headteacher = 2))
	looking entirely unamused. "Indeed," ${headteacher_he} says. "Thank you, everyone. We will
*elseif ((headteacher = 3) or (headteacher = 5))
	looking fiercely proud. "Thank you, $!{trevelyan_title} Trevelyan. We'll
*elseif headteacher = 4
	looking concerned. "Yes, well, thank you, $!{trevelyan_title} Trevelyan. We'll
*else
	*bug headteacher is ${headteacher}; expected 1-5
adjourn to the banquet hall for a short while before dinner."

The teachers rise; you file into the hall.
*page_break
A series of chandeliers hang high above you, laden with candles. As the candles flicker, the crystals gently sparkle. Portraits line the walls, along with a bronze plaque stretching nearly the height of the room listing the prefects of years gone by. The earliest date is several hundred years ago.

Long tables have been laid with silverware and delicately folded napkins, but the students do not sit yet; instead, they mingle in the open space, shoes lightly tapping on the parquet floor. In the gallery above, a chamber quartet plays smooth, sedate music.

While you orient yourself, Trevelyan approaches you. "Good evening, Your Highness!" ${trevelyan_he} @{trevelyan_singular says|say} with a short @{(trevelyan_gender = 2) curtsey|bow}. @{trevelyanspeech "You liked my speech, right? I'm glad. It|"It didn't seem like you liked my speech, but it|"Thank you for your input on my speech! It|"I'm glad you found my speech so amusing! It} wasn't anything personal, truly. Anyway, I'm Estell Trevelyan, and I hope you'll take my comments in the spirit they were meant."

The only Estell you've ever met is Estell III, your mother. Trevelyan gives you a mulish look as though daring you to make a comment.
*fake_choice
	#I shake ${trevelyan_his} hand politely, not wanting trouble.
		You shake Trevelyan's hand,
		*if appealing > appealing_mid_pass
			*set rel_trevelyan %+rel_mid_change
			*set pop_school %+secondary_mid_change
			and ${trevelyan_he} @{trevelyan_singular grimaces|grimace} ruefully.
		*else
			*set rel_trevelyan %-rel_mid_change
			*set pop_school %-secondary_mid_change
			but perhaps your grip is too strong; ${trevelyan_he} @{trevelyan_singular sighs|sigh} and @{trevelyan_singular takes|take} a step back.
	#"If you don't want to grovel to royalty, why do you have my mother's name?"
		*if authoritative > authoritative_mid_pass
			*set rel_trevelyan %+rel_mid_change
			*set pop_school %+secondary_mid_change
			Trevelyan lets out a nervous laugh.
		*else
			*set rel_trevelyan %-rel_mid_change
			*set pop_school %-secondary_mid_change
			*goto trevelyan_eyebrow
	#I laugh openly at ${trevelyan_his} name.
		*if entertaining > entertaining_mid_pass
			*set rel_trevelyan %+rel_mid_change
			*set pop_school %+secondary_mid_change
			Trevelyan's lips twitch. "I know, I know," ${trevelyan_he} @{trevelyan_singular says|say}.
		*else
			*set rel_trevelyan %-rel_mid_change
			*set pop_school %-secondary_mid_change
			*label trevelyan_eyebrow
			Trevelyan raises an eyebrow, not looking entirely pleased.
"My mother's a fervent royalist," ${trevelyan_he} @{trevelyan_singular says|say} with the tone of someone who explains this a lot when meeting someone. "My father's more sensible. At least I didn't get saddled with Josiane, or $!{raname}. No offense."

$!{trevelyan_he} @{trevelyan_singular glances|glance} over ${trevelyan_his} glasses at Asher, who smiles and shakes ${trevelyan_his} hand.

"Ah! You must be $!{rahis} Highness's guard," ${trevelyan_he} @{trevelyan_singular says|say}. "One of the Garnett family, if I'm not mistaken. So are you eligible to vote under the current laws? You're not titled aristocracy, are you, so I'd assume not? But you [i]do[/i] hold hereditary positions."

Asher, who was nodding and looking pleased with Trevelyan knowing about ${asher_his} family, pauses. "I'm not sure?" ${asher_he} @{asher_singular says|say}. "I don't think so. But I trust Parliament to do the right thing. I'm sure they wouldn't do anything I wouldn't vote for."

Trevelyan looks entirely horrified.
*fake_choice
	#"This is none of your business, Trevelyan."
		*set rel_trevelyan %-rel_mid_change
		*set asher_diffident %+opposed_mid_change
		*set trevelyan_against %+opposed_mid_change
		Trevelyan narrows ${trevelyan_his} eyes,
		*if authoritative > authoritative_mid_pass
			*set rel_asher %+rel_mid_change
			*set pop_citizen %+secondary_mid_change
			and shifts closer to you—slow and unthreatening, but deliberate—and says, "That sounds like a challenge."
		*else
			*set rel_asher %-rel_mid_change
			*set pop_school %-secondary_mid_change
			looking unimpressed. "Maybe not, but it is Asher's business."

	#"We'll investigate this. I can do some research."
		*set asher_diffident %-opposed_mid_change
		*set trevelyan_against %-opposed_mid_change
		*if eloquent > eloquent_mid_pass
			*set rel_asher %+rel_mid_change
			*set rel_trevelyan %+rel_mid_change
			*set pop_citizen %+secondary_mid_change
			*goto trev_approve
		*else
			*set rel_asher %-rel_mid_change
			*set rel_trevelyan %-rel_mid_change
			*set pop_citizen %-secondary_mid_change
			*goto trev_disapprove
	#"It would be awful if you couldn't vote."
		*set asher_diffident %-opposed_mid_change
		*set trevelyan_against %-opposed_mid_change
		*if appealing > appealing_mid_pass
			*set rel_asher %+rel_mid_change
			*set rel_trevelyan %+rel_mid_change
			*set pop_citizen %+secondary_mid_change
			*label trev_approve
			Trevelyan's gaze softens. "Look into it. I'd be interested to hear what you find out," ${trevelyan_he} @{trevelyan_singular says|say}.
		*else
			*set rel_asher %-rel_mid_change
			*set rel_trevelyan %-rel_mid_change
			*set pop_citizen %-secondary_mid_change
			*label trev_disapprove
			Trevelyan looks unimpressed. "It's a shame you didn't think of that before."
	#I don't want people eavesdropping on this conversation.
		*set rel_trevelyan %-rel_mid_change
		*set asher_diffident %+opposed_mid_change
		*set trevelyan_against %+opposed_mid_change
		"This isn't a subject I'm willing to discuss in front of everyone," you say.

		Trevelyan narrows ${trevelyan_his} eyes,
		*if underhanded > underhanded_mid_pass
			*set rel_asher %+rel_mid_change
			*set pop_citizen %+secondary_mid_change
			looking unimpressed, and folds ${trevelyan_his} arms. "Maybe so," ${trevelyan_he} @{trevelyan_singular says|say}, but it comes out sulky rather than defiant.
		*else
			*set rel_asher %-rel_mid_change
			*set pop_citizen %-secondary_mid_change
			and shifts closer to you—slow and unthreatening, but deliberate—and says, "Maybe you'll discuss it another time, in that case."

One of the $!{gallatin_name} teachers calls over to ${trevelyan_him}. "$!{trevelyan_title} Trevelyan! I'd like a word. Briefly."

Trevelyan glances over. "$!{headteacher_name} will want @{((headteacher = 3) or (headteacher = 5)) me to corral the Prefects Committee|to tell me off for being too blunt}, I suppose," ${trevelyan_he} @{trevelyan_singular says|say}. "It's a hard life. Perhaps I'll speak with you again another time."
*choice
	*if ((raasexual = false) or ((raaromantic = false) or (ragreyaro))) #I grin flirtatiously. "I'd love to get to know you."
		*set rel_trevelyan %+rel_hi_change
		*set asher_witnessed_flirting true
		Trevelyan raises ${trevelyan_his} eyebrows and grins at you. "Oh, really?" ${trevelyan_he} @{trevelyan_singular says|say}.

	*if ((raasexual = false) or ((raaromantic = false) or (ragreyaro))) #I smile before glancing away. I feel nervous.
		*set rel_trevelyan %+rel_mid_change
		Trevelyan doesn't seem to catch your glance.
	#"I'll talk politics with you anytime."
		*set rel_trevelyan %+rel_hi_change
		Trevelyan's whole face alights with ${trevelyan_his} smile. "I'm fascinated to hear about your perspective," ${trevelyan_he} @{trevelyan_singular says|say}.

	#"As long as we can discuss something lighter."
		*set rel_trevelyan %-rel_small_change
		Trevelyan arches an eyebrow. "All right, Your Highness, if you insist," ${trevelyan_he} @{trevelyan_singular says|say}.

	#"Not if I see you first."
		*set rel_trevelyan %+rel_small_change
		Trevelyan lets out a laugh, though ${trevelyan_he} @{trevelyan_singular doesn't|don't} look sure whether ${trevelyan_he} should be taking you seriously or not.

The teacher coughs meaningfully, and Trevelyan melts into the crowd at her side.
*page_break
While you wait for dinner and Asher occupies ${asher_him}self speaking with one of the servants, @{(rel_clemence > rel_vere) Clemence|Vere} beckons you over to where @{(rel_clemence > rel_vere) they and Vere|she and Clemence} are talking with $!{headteacher_name}; $!{headteacher_name} @{headteacher curtseys|bows|curtseys|bows|curtseys|} low to you.

@{((headteacher = 3) or (headteacher = 5)) "I do hope $!{trevelyan_title} Trevelyan didn't cause offense," she says. "We do like to bring a little more political awareness to our students these days."|"I apologize for $!{trevelyan_title} Trevelyan's behavior," ${headteacher_he} says. "$!{trevelyan_he}'ll be sanctioned appropriately."}
*fake_choice
	#"Honestly, I'd rather people spoke their minds."
		*if ((headteacher = 3) or (headteacher = 5))
			$!{headteacher_name}'s face lights up with her smile. "That's wonderful to hear," she says. "I hate to see young people not thinking critically about the world around them."
		*elseif ((headteacher = 1) or (headteacher = 2))
			$!{headteacher_name} gives you a thoughtful, somewhat severe look. "I see," ${headteacher_he} says. "That's useful to know."
		*elseif headteacher = 4
			$!{headteacher_name} looks like he doesn't know whether to be surprised or relieved. "I'm glad to hear it," he says. "Thank you."
		*else
			*bug headteacher is ${headteacher}: expected value 1-5
	#"Please don't punish Trevelyan."
		*if ((headteacher = 3) or (headteacher = 5))
			$!{headteacher_name}'s face lights up with her smile. "I wasn't planning to," she says. "But I appreciate your candor. I hate to see young people not thinking critically about the world around them."
		*elseif ((headteacher = 1) or (headteacher = 2))
			$!{headteacher_name} gives you a thoughtful, somewhat severe look. "Thank you for your thoughts," ${headteacher_he} says.
		*elseif headteacher = 4
			$!{headteacher_name} looks like he doesn't know whether to be surprised or relieved. "Well, I'll think about it, and discuss with the staff," he says. "Thank you."
		*else
			*bug headteacher is ${headteacher}: expected value 1-5
	#"It was unsettling, to say the least."
		*if ((headteacher = 3) or (headteacher = 5))
			$!{headteacher_name} nods thoughtfully. "Isn't it good to be unsettled sometimes, though, Your Highness?"
		*else
			$!{headteacher_name} nods. "Of course, Your Highness," ${headteacher_he} says. "I hope the rest of your evening is more enjoyable."
	#"My mother will hear about this."
		*if ((headteacher = 3) or (headteacher = 5))
			$!{headteacher_name} nods briskly. "If the Queen needs to hear about this, that's your decision, of course. I'll be interested to see her response."
		*else
			$!{headteacher_name} nods politely. "Of course, Your Highness," ${headteacher_he} says. "I absolutely understand, and I hope the rest of your evening is more enjoyable."

$!{headteacher_he} half-turns, including Vere and Clemence in the conversation.

"I hope $!{rahis} Highness is enjoying Archambault," ${headteacher_he} says. "What are ${rahis} favorite activities at the Academy?"

@{(rel_clemence > rel_vere) Clemence laughs, a little nervously. "Well, maybe|Vere smiles. "I think} $!{rahis} Highness is best-placed to answer that."
*fake_choice
	#"I enjoy learning Natural Science."
		*set rel_vere %+rel_mid_change
		*goto mention_vere
	#"Our Politics discussions are very stimulating."
		*set rel_clemence %+rel_mid_change
		*goto mention_clemence
	#"I'm interested in academics in general."
		"How good to hear," $!{headteacher_name} says. "I'm sure Archambault will give you a thorough grounding in such things."

		Clemence and Vere both look deflated, as though they hoped you'd mention them personally.

	#"@{leadership Athletics Team|Drama Club|Student Council|}, I think."
		*if leadership = 1
			*set rel_vere %+rel_mid_change
			*label mention_vere
			"That's good to hear," Vere says, though Clemence looks disappointed.
		*elseif leadership = 3
			*set rel_clemence %+rel_mid_change
			*label mention_clemence
			"Oh! That's very gratifying," Clemence says, though Vere looks disgruntled.
		*else
			"Ah, I know Lord Haberlin loves running that class," $!{headteacher_name} says, though both Vere and Clemence look disappointed.
	#"It's good spending time with $!{petname}."
		"$!{petname}?" $!{headteacher_name} says.

		"My
		*if pet = 1
			${horse},"
		*elseif pet = 2
			dog,"
		*elseif pet = 3
			@{pet_breed eagle|sparrowhawk|peregrine|owl|},"
		*else
			*bug pet is ${pet}; expected 1-3
		you say.

		Clemence and Vere exchange a look, but they do not bring themselves to criticize you.

	#"At this stage, I couldn't say."
		Neither Clemence nor Vere look particularly pleased by this, but neither do they bring themselves to criticize you.

"Please feel free to join the rest of the students," $!{headteacher_name} says. @{(headteacher < 3) "We wouldn't want to keep you."|"You don't want to listen to us rattle on all evening."}

The teachers start discussing the implications of a new syllabus, and shortly after, a gong rings for dinner. You settle with the rest of the final-years, while $!{gallatin_name} and Archambault students alike keep looking over at you and making excuses to come near.
*page_break
You tuck in. The first course consists of tiny plates of amuse-bouches: bitesize appetizers delicately put together. One is a cucumber mousse wrapped in paper-thin pastry, deliciously refreshing; another is a miniature samosa with a sudden burst of spice. You're tucking into the second course, a skewer of lightly charred vegetables, when you hear Javi's voice rising stridently over the buzz of conversation.

"…no, but," ${javi_he}@{javi_singular 's|'re} saying. When you look over, ${javi_he}@{javi_singular 's|'re} sitting opposite Trevelyan, leaning forward on ${javi_his} elbows. "The royals of Zaledo are different."

"Oh?" Trevelyan says, spearing a pepper on ${trevelyan_his} fork. "As far as I'm concerned, none of you can stand the thought of losing the power that you were born to."

Javi's eyes blaze. "That's not what we do at all," ${javi_he} @{javi_singular snaps|snap}. "In Zaledo, not everyone has a vote, but everyone has a day off even if they don't vote—my great-grandmother made it that way. I don't see why the Queen doesn't make that happen here, too!"

The voices around ${javi_him} dip, and everyone looks at you.
*fake_choice
	#I tell the others Javi's right. They'll follow my word.
		*if authoritative > authoritative_mid_pass
			*set rel_javi %+rel_mid_change
			*set pop_school %+rel_mid_change
			*set westerlin_zaledo %+opposed_mid_change
			"If the people don't have a say in who governs them, it's little better than tyranny," you say.

			Javi looks surprised, then mollified, that you're agreeing with ${javi_him}. "Exactly," ${javi_he} @{javi_singular starts|start} to say, but as
		*else
			*set rel_javi %-rel_mid_change
			*set pop_school %-rel_mid_change
			*set westerlin_zaledo %-opposed_mid_change
			"Javi does have the right idea, I think," you say, but the students around you pay little attention. As
	#I poke holes in Javi's theory.
		*if eloquent > eloquent_mid_pass
			*set rel_javi %+rel_mid_change
			*set pop_school %+rel_mid_change
			*set westerlin_zaledo %+opposed_mid_change
			"If $!{javi_title} Javi had greater awareness of our parliamentary system," you say, "${javi_he}'d know that my mother doesn't have absolute power over the laws we create."

			Javi scowls. "That's not what I meant," ${javi_he} @{javi_singular says|say} crossly, but as
		*else
			*set rel_javi %-rel_mid_change
			*set pop_school %-rel_mid_change
			*set westerlin_zaledo %-opposed_mid_change
			"That's not how it works," you say, and Trevelyan sighs heavily. As
	#I sigh and ask why Javi would insult my mother.
		*if appealing > appealing_mid_pass
			*set rel_javi %+rel_mid_change
			*set pop_school %+rel_mid_change
			*set westerlin_zaledo %+opposed_mid_change
			"The good of the country is my mother's highest priority," you say.

			Javi scowls. "That's not what I was saying," ${javi_he} @{javi_singular says|say} crossly, but as
		*else
			*set rel_javi %-rel_mid_change
			*set pop_school %-rel_mid_change
			*set westerlin_zaledo %-opposed_mid_change
			"How can you say that?" you snap, and Trevelyan sighs heavily. As
	#I distract everyone from this conversation.
		"Personally," you say, "I'd love to try some more of these skewers. Don't they look like Hearthlight candles?"

		*if entertaining > entertaining_mid_pass
			*set rel_javi %+rel_mid_change
			*set pop_school %+rel_mid_change
			*set westerlin_zaledo %+opposed_mid_change
			A few of the students around you laugh, and the mood relaxes. As
		*else
			*set rel_javi %-rel_mid_change
			*set pop_school %-rel_mid_change
			*set westerlin_zaledo %-opposed_mid_change
			Trevelyan sighs heavily and turns away from you to speak to ${trevelyan_his} friends. As
the gong rings once more, a pair of $!{gallatin_name} students in prefect uniforms sidle over to drag Trevelyan off for an intense conversation.
*page_break
Four tasting courses in, Asher returns to sit beside you. $!{asher_he} @{asher_singular sips|sip} ${asher_his} water, ${asher_his} gaze cautious and watchful.

"I'd gotten too used to Archambault," ${asher_he} @{asher_singular murmurs|murmur} to you. "The acoustics are so different here."

Still, ${asher_his} eyes light up when dessert arrives. It's strawberry sorbet dusted with very fine salt and pepper, along with elderflower powder. While you tuck in, $!{headteacher_name} ascends the stage once more, and the music comes to a halt.

"While we finish," ${headteacher_he} says, "our finest dancer, Hyacinthe Van Clare, will entertain you."

$!{headteacher_he} retreats, and the curtain smoothly rises. Silhouetted against the light is a short, muscled student in a close-fitting deep red vest and leggings.
*if ragenderchoice
	*fake_choice
		#His steps across the stage are feather-light.
			*gosub_scene worldstate hyacinthe_male
		#Her steps across the stage are feather-light.
			*gosub_scene worldstate hyacinthe_female
		#Their steps across the stage are feather-light.
			*gosub_scene worldstate hyacinthe_nb
	The music is stately at first, and then grows faster. Each of Hyacinthe's
*else
	Hyacinthe Van Clare. $!{hyacinthe_his} steps across the stage are feather-light; as the stately music quickens, each of ${hyacinthe_his}
*set methyacinthe true
movements is effortless. Between amber lights and dramatic makeup accentuating the warmth of ${hyacinthe_his} brown skin, ${hyacinthe_he} practically @{hyacinthe_singular glows|glow}.

Some of the $!{gallatin_name} students carry on eating and talking, while others stop to watch. Beside you, Asher's face is rapt as ${asher_he} @{asher_singular watches|watch}.
*fake_choice
	#I carry on eating.
		The tang of the strawberry sorbet stings your mouth as you eat.
	#I pay close attention.
		Losing yourself in the moment, you watch each graceful leap, each sweep of Hyacinthe's long fingers as they describe a series of deepening arcs.
	#I keep getting distracted by my thoughts.
		With each sweep of Hyacinthe's long fingers as they describe deepening arcs, thoughts nag at the back of your mind.
You cannot tell whether Hyacinthe is looking at you. @{hyacinthe_singular Is|Are} ${hyacinthe_he}? Or is ${hyacinthe_his} gaze simply sweeping over the crowd and making the whole audience feel that way?

The music finishes with a flourish, and Hyacinthe @{(hyacinthe_gender = 2) curtseys|bows} low and gracefully. Teachers and students alike stand to applaud. Hyacinthe stands straight then, smiling fiercely.
*fake_choice
	#I say briskly that I've seen better at court.
		*set hyacinthedance 1
		You give your companions a bored look. "Yes, it's all right for a student performance," you say.

		*if authoritative > authoritative_mid_pass
			*set pop_school %+secondary_mid_change
			*set rel_hyacinthe %+rel_mid_change
			When you look back to the stage, Hyacinthe meets your eye. $!{hyacinthe_he} @{hyacinthe_singular nods|nod} slightly, and ${hyacinthe_his} mouth is set with determination.
		*else
			*set pop_school %-secondary_mid_change
			*set rel_hyacinthe %-rel_mid_change
			When you look back to the stage, Hyacinthe does ${hyacinthe_his} best to hide it, but ${hyacinthe_his} disappointment is clear.

			Beside you, Beaumont snorts. "Come on, don't pretend it wasn't good," ${beaumont_he} @{beaumont_singular says|say}, and the others murmur in agreement.

	#I enjoyed the performance, but I remain composed.
		*set hyacinthedance 2
		You applaud with the rest of the crowd, and Hyacinthe's dark gaze meets yours from onstage;
		*if calm > calm_mid_pass
			*set rel_hyacinthe %+rel_mid_change
			*set pop_school %+secondary_mid_change
			${hyacinthe_his} eyes shine with gratified pride.
		*else
			*set rel_hyacinthe %-rel_mid_change
			*set pop_school %-secondary_mid_change
			${hyacinthe_his} eyes tighten just a little with faintest disappointment. Perhaps ${hyacinthe_he} hoped for a different reception.

	#I applaud and cheer enthusiastically.
		*set hyacinthedance 2
		"Bravo!" you shout,
		*if calm < calm_mid_pass
			*set rel_hyacinthe %+rel_mid_change
			*set pop_school %+secondary_mid_change
			and Hyacinthe catches your eye from onstage. $!{hyacinthe_his} eyes shine with gratified excitement.
		*else
			*set pop_school %-secondary_mid_change
			but your voice gets lost in the applause, and Hyacinthe does not appear to notice.

	#I step onto the stage and ask Hyacinthe to dance with me.
		*set hyacinthedance 4
		It's the work of a moment to ascend the stage. You extend your hand to Hyacinthe. "Will you dance?"

		$!{hyacinthe_he} @{hyacinthe_singular does|do} not hesitate; tilting ${hyacinthe_his} head so the amber beads of ${hyacinthe_his} necklace catch the light, ${hyacinthe_he} @{hyacinthe_singular puts|put} ${hyacinthe_his} hand in yours.

		The musicians start a gentle waltz.
		*choice
			#I have no agenda: I want to show my appreciation.
				You dance graciously,
				*if ruthless < ruthless_mid_pass
					*set rel_hyacinthe %+rel_mid_change
					*set pop_school %+secondary_mid_change
					but not so dramatically that you overshadow Hyacinthe's performance. Hyacinthe guides you a little—a light pressure on your wrist here, a nudge on your back there.
					*goto dance_success
				*else
					*set rel_hyacinthe %-rel_mid_change
					*set pop_school %-secondary_mid_change
					but Hyacinthe wears a guarded expression. When your eyes meet, ${hyacinthe_he} @{hyacinthe_singular gives|give} you a searching look as though trying to figure you out.
					*goto dance_fail
			#I try to undermine Hyacinthe and upstage ${hyacinthe_him}.
				You dance in tune with Hyacinthe,
				*if ruthless > ruthless_mid_pass
					*set pop_school %+secondary_mid_change
					*set rel_hyacinthe %+rel_mid_change
					but then carefully maneuver yourself so the light gets in Hyacinthe's eyes. $!{hyacinthe_he} @{hyacinthe_singular blinks|blink} and @{hyacinthe_singular falters|falter}. You bend graciously and make a show of helping ${hyacinthe_him}, and the audience erupts into applause.
					*goto dance_success
				*else
					*set pop_school %-secondary_mid_change
					*set rel_hyacinthe %-rel_mid_change
					and maneuver yourself so the light gets in Hyacinthe's eyes. $!{hyacinthe_he} @{hyacinthe_singular falters|falter}, and you edge closer to push your advantage. But ${hyacinthe_he} @{hyacinthe_singular steps|step} backward, recovering with ease.
					*goto dance_fail
			#I want to keep calm and steady, and not make a fool of myself.
				You dance graciously,
				*if calm > calm_mid_pass
					*set rel_hyacinthe %+rel_mid_change
					*set pop_school %+secondary_mid_change
					keeping your steps focused and your breath rhythmic. Hyacinthe moves smoothly along with you, guiding you a little—a light pressure on your wrist here, a nudge on your back there.
					*label dance_success

					You finish with a flourish, and Hyacinthe @{(hyacinthe_gender = 2) curtseys|bows} beside you. The hall echoes with clapping; you descend from the stage amongst the cheering.
				*else
					*set rel_hyacinthe %-rel_mid_change
					*set pop_school %-secondary_mid_change
					but your palms quickly prickle as you realize how warm it is beneath the stage lights. Hyacinthe moves smoothly along with you, guiding you a little—a light pressure on your wrist here, a nudge on your back there—but you find yourself faltering.
					*label dance_fail

					When you finish, it's with less aplomb than you hoped, and the applause, while polite, is less than thunderous.
The dessert continues.
*page_break
Once the plates are taken away, the mingling begins once more. The hubbub rises, and laughter and squabbles alike grow louder. Asher's expression, while polite enough, is tense as ${asher_he} @{asher_singular stands|stand} close at your side. When Hyacinthe approaches the two of you with a politely lowered gaze, Asher looks even more nervous.

Hyacinthe @{hyacinthe_gender bows|curtseys|bows} to the both of you, and turns to Asher. "Would you please introduce me to $!{rahis} Highness?" ${hyacinthe_he} @{hyacinthe_singular says|say}.

$!{hyacinthe_his} voice is soft, with the faintest hint of a northwestern lilt. $!{hyacinthe_he}@{hyacinthe_singular 's|'re} wearing less dramatic makeup now, just a faint smudge of kohl around ${hyacinthe_his} dark eyes, and ${hyacinthe_his} uniform is immaculate. $!{hyacinthe_his} black, tightly coiled hair @{hyacinthe_gender puffs out in a halo around ${hyacinthe_his} head|is braided in an elaborate up-do|puffs out in a halo around ${hyacinthe_his} head}.

Asher stands up very straight. "Yes, of course. $!{rahis} Highness $!{raname} of Westerlin, $!{hyacinthe_title} Hyacinthe Van Clare."

Hyacinthe @{hyacinthe_gender bows|curtseys|bows} again, even more deeply this time.
*fake_choice
	#I nod coolly to ${hyacinthe_him}.
		Beside you, Asher nods, too, ${asher_his} hands clasped neatly behind ${asher_his} back.

		Hyacinthe smiles, ${hyacinthe_his} gaze politely lowered.
	#I clasp ${hyacinthe_his} hand in greeting.
		Hyacinthe inclines ${hyacinthe_his} head and smiles, ${hyacinthe_his} gaze politely lowered.
	#I kiss ${hyacinthe_his} cheek briefly.
		Hyacinthe keeps ${hyacinthe_his} composure well enough as you draw towards ${hyacinthe_him}. $!{hyacinthe_his} @{hyacinthe_gender cologne|perfume|eau de toilette} smells fresh and sharp, with a hint of ozone. Then ${hyacinthe_he} @{hyacinthe_singular smiles|smile} at you.
	*if ((raasexual = false) or ((raaromantic = false) or (ragreyaro)))
		#I smile flirtatiously.
			@{(forceful > forceful_mid_pass) You look Hyacinthe up and down and give ${hyacinthe_him} a frank, admiring smile|You allow a smile to tug one side of your mouth}, and Hyacinthe lowers ${hyacinthe_his} gaze to the parquet floor.

"It's an honor to meet you, Your Highness," ${hyacinthe_he} @{hyacinthe_singular says|say}. "Performing for you is something I never dreamed would happen. @{(hyacinthedance = 4) And I was delighted that you were pleased enough to join me on stage|Thank you}."

$!{hyacinthe_his} tone is soft and very formal, certainly more formal than Trevelyan's.
*fake_choice
	#"You don't need to stand on ceremony."
		Hyacinthe starts to @{hyacinthe_gender bow|curtsey|bow}, then pauses and recovers with barely a wobble. "Of course," ${hyacinthe_he} @{hyacinthe_singular says|say}.

		$!{hyacinthe_he} @{hyacinthe_singular hesitates|hesitate}, just for a second, as though ${hyacinthe_he} @{hyacinthe_singular doesn't|don't} know how to not stand on ceremony.

	#"You've obviously taken the $!{gallatin_name} etiquette classes."
		Hyacinthe smiles without showing ${hyacinthe_his} teeth. "$!{headteacher_name} is very thorough," ${hyacinthe_he} @{hyacinthe_singular says|say}. @{((headteacher = 3) or (headteacher = 5)) "Even if she's sometimes a little unorthodox."|"$!{headteacher_he} wants to help us access the best possible opportunities."}

		$!{hyacinthe_he} @{hyacinthe_singular hesitates|hesitate}, just for a moment, as though uncertain whether you were serious.

	#"Thank you. The pleasure is all mine."
		Hyacinthe smiles graciously, without showing ${hyacinthe_his} teeth. "I'm so glad," ${hyacinthe_he} @{hyacinthe_singular murmurs|murmur}.

		$!{hyacinthe_he} @{hyacinthe_singular hesitates|hesitate}, just for a moment, looking uncertain.

"I hope you enjoyed the performance, in any case," ${hyacinthe_he} @{hyacinthe_singular says|say}.
*fake_choice
	#I use my knowledge of dance to compliment Hyacinthe's technique.
		*set hyacinthe_instinct %-opposed_mid_change
		"I particularly enjoyed
		*if eloquent > eloquent_mid_pass
			*set rel_hyacinthe %+rel_mid_change
			the light touch with the pirouette," you say. "It reminded me of seeing one of Beneventi's works at the Lingard."
			*goto hyacinthehappy
		*else
			*set rel_hyacinthe %-rel_mid_change
			the way you…" you start to say. Your mind goes blank. "You worked with the rhythm of the music."

			Hyacinthe smiles politely, but without great enthusiasm.
	#I warmly congratulate Hyacinthe on the performance.
		*set hyacinthe_instinct %+opposed_mid_change
		"It was marvelous to see you," you say. "It was the best part of my evening so far."
		*if appealing > appealing_mid_pass
			*set rel_hyacinthe %+rel_mid_change
			*label hyacinthehappy

			Hyacinthe clasps ${hyacinthe_his} hands. "Oh!" ${hyacinthe_he} @{hyacinthe_singular says|say}. "Thank you so much! I can't tell you how much that means to me."
		*else
			*set rel_hyacinthe %-rel_mid_change

			Hyacinthe smiles very politely, but without great enthusiasm. Perhaps ${hyacinthe_he} @{hyacinthe_singular hears|hear} such things often enough that, even coming from a royal, it's not anything special; perhaps ${hyacinthe_he} @{hyacinthe_singular doesn't|don't} know what to say.

	#Hyacinthe wants to impress me, so I'll undermine ${hyacinthe_him}.
		*if underhanded > underhanded_mid_pass
			*set rel_hyacinthe %+rel_mid_change
			*set hyacinthe_instinct %-opposed_mid_change
			"It's wonderful how you overcame that problem with your right ankle," you say. "I hardly noticed it at all."

			Hyacinthe shifts ${hyacinthe_his} ankle almost imperceptibly. "Thank you for the compliment," ${hyacinthe_he} @{hyacinthe_singular murmurs|murmur}.
		*else
			*set rel_hyacinthe %-rel_mid_change
			*set hyacinthe_instinct %+opposed_mid_change
			"I've seen many dancers doing that dance more gracefully," you say. "I felt like yours didn't have enough feeling behind it."
			*goto hyacinthe_polite
	#I say bluntly that dance isn't one of my interests.
		"To tell the truth," you say,
		*if authoritative > authoritative_mid_pass
			*set rel_hyacinthe %+rel_mid_change
			*set hyacinthe_instinct %+opposed_mid_change
			"I couldn't tell you what was good and what wasn't."

			Hyacinthe smiles, and ${hyacinthe_his} cheek dimples on one side. "Dancing isn't only for people who completely understand it," ${hyacinthe_he} @{hyacinthe_singular says|say}. "It's for everyone."
		*else
			*set rel_hyacinthe %-rel_mid_change
			*set hyacinthe_instinct %-opposed_mid_change
			"dancing isn't my area."

			*label hyacinthe_polite
			
			Hyacinthe starts to say something, then inclines ${hyacinthe_his} head with a polite smile. "As you say, Your Highness." 

*if romance_expressed_asher
	Asher coughs politely. "I thought your performance was amazing," ${asher_he} @{asher_singular says|say}.
*else
	Asher shoulders forward a little. "I thought you were amazing," ${asher_he} @{asher_singular says|say}. "I've never seen anything like it."

Hyacinthe beams at ${asher_him}. "Thank you, $!{asher_title} Garnett," ${hyacinthe_he} @{hyacinthe_singular says|say}, before turning to watch Pascal and $!{headteacher_name} ascend the stage. The gong rings.
*page_break
Waiting for the hectic hubbub of chatter and laughter to die down, Hyacinthe clasps ${hyacinthe_his} hands and looks up at the stage. $!{headteacher_name} @{headteacher stares icily down at the crowd|coughs meaningfully, just once|raises ${headteacher_his} hands briefly|surveys the crowd for a few minutes|raises ${headteacher_his} hands briefly}, and the hall gradually falls silent.

"I'm delighted that you've attended," ${headteacher_he} says, "and grateful that you've enjoyed yourselves. This marks Archambault and $!{gallatin_name} growing closer together."

"And so it's a wonderful opportunity to announce," Pascal says, "that we will be running a joint overnight trip to Lake Linzona in a fortnight's time."

Archambault and $!{gallatin_name} students alike gasp and murmur with anticipation. Pascal beams down at the crowd, looking delighted with himself. Asher, you note, does not look surprised.
*fake_choice
	#"I wonder what this will involve."
		*goto asherpoker
	#"Did you know this the whole time?"
		*goto asherknow
	#"You sly thing, you should have told me."
		*label asherknow
		Asher examines ${asher_his} fingernails. "I need to know the Academy's plans," ${asher_he} @{asher_singular says|say}.

		Hyacinthe's face breaks into a huge smile.
	#I remain silent, and watch Asher.
		*label asherpoker
		Asher wears ${asher_his} best poker face, but Hyacinthe's face breaks into a huge smile.

"It's my favorite place to visit," ${hyacinthe_he} @{hyacinthe_singular says|say}. "You wouldn't believe how beautiful the water is there!"

"I'm looking forward to going," Asher murmurs.
*fake_choice
	#"I hope to make friends while we're there."
		*if appealing > appealing_mid_pass
			*set pop_school %+secondary_mid_change
			*goto linzona_success
		*else
			*set pop_school %-secondary_mid_change
			*goto linzona_fail
	#I show off my knowledge of the place.
		"I understand the Linzona Theater is one of the finest in the valley," you say.

		*if eloquent > eloquent_mid_pass
			*set pop_school %+secondary_mid_change
			*label linzona_success
			Hyacinthe @{hyacinthe_gender bows|curtseys|bows} deeply. "I'm certain you'll love it, Your Highness," ${hyacinthe_he} @{hyacinthe_singular says|say}.
		*else
			*set pop_school %-secondary_mid_change
			*label linzona_fail
			Hyacinthe @{hyacinthe_gender bows|curtseys|bows} politely. "Of course, Your Highness," ${hyacinthe_he} @{hyacinthe_singular says|say}.
	#I eye Hyacinthe, wondering what ${hyacinthe_he}@{hyacinthe_singular 's|'re} really thinking.
		Hyacinthe's gaze strays in your direction as ${hyacinthe_he} @{hyacinthe_singular speaks|speak} about Lake Linzona's landscape and the things to do there,
		*if underhanded > underhanded_mid_pass
			*set pop_school %+secondary_mid_change
			and you have the distinct feeling that ${hyacinthe_he} wouldn't be so excited if it weren't for your presence. When ${hyacinthe_he} @{hyacinthe_singular catches|catch} you watching, ${hyacinthe_he} @{hyacinthe_singular smiles|smile} shyly and @{hyacinthe_singular looks|look} away.
		*else
			*set pop_school %-secondary_mid_change
			but as ${hyacinthe_he} @{hyacinthe_singular catches|catch} you watching, ${hyacinthe_he} @{hyacinthe_singular falters|falter}.

			"I'm so sorry, Your Highness," ${hyacinthe_he} @{hyacinthe_singular says|say}, touching ${hyacinthe_his} hair self-consciously. "I lost my thread of thought."

	#"Stay focused on your work, Asher."
		*set asher_diffident %+secondary_mid_change
		*if authoritative > authoritative_mid_pass
			*set pop_school %+secondary_mid_change
			*goto ashersnap
		*else
			*set pop_school %-secondary_mid_change
			Hyacinthe starts to say something in protest, but
			*label ashersnap
			Asher snaps to, standing very straight. "Of course," ${asher_he} @{asher_singular says|say} briskly.

Up on stage, Pascal raises a hand to gain the crowd's attention once more. "I'm sure $!{pc_title} $!{raname} and $!{javi_title} Javi would love to give their thanks to the $!{gallatin_name} staff and students for their hospitality."

Javi practically runs up the steps to the stage. $!{javi_he} @{javi_singular gives|give} the assembled students a sparkling smile. "I'm delighted to be here, and the food was stunning," ${javi_he} @{javi_singular says|say}. "King Mateo will be wildly jealous when I write and tell him."

Pascal looks at you expectantly and beckons you up.
*fake_choice
	#I thank $!{headteacher_name} warmly.
		*gosub stage_summary

		*if appealing > appealing_mid_pass
			*set rel_pascal %+rel_mid_change
			*set pop_school %+secondary_mid_change
			"Tonight was truly special," you say. "I was so pleased to attend. I can't tell you what a pleasure it was to visit and to meet you all. It was a beautiful evening."
			*goto hall_cheer
		*else
			*set rel_pascal %+rel_mid_change
			*set pop_school %-secondary_mid_change
			"I hope," you say, "that we can enjoy many more evenings like this."

			You smile at $!{headteacher_name}, but ${headteacher_he} looks caught off guard. "Yes, of course," ${headteacher_he} says hastily.
			*goto hall_uncertain
	#I give brisk, authoritative thanks.
		*gosub stage_summary

		*if authoritative > authoritative_mid_pass
			*set rel_pascal %+rel_mid_change
			*set pop_school %+secondary_mid_change
			You nod briskly. "An excellent evening all round," you say. "As I'd expect."
			*goto hall_cheer
		*else
			*set rel_pascal %+rel_mid_change
			*set pop_school %-secondary_mid_change
			"Exactly as I expected," you say.

			$!{headteacher_name} looks caught off guard. "I hope it exceeded your hopes," ${headteacher_he} says.

			"Well, yes," you say.
			*goto hall_uncertain
	#I make a joke at Javi's expense.
		*set rel_javi %-rel_mid_change
		"I hope $!{javi_title} Javi doesn't tell ${javi_his} father those comments ${javi_he} made about the decor," you say cheerfully.

		*if entertaining > entertaining_mid_pass
			*set rel_pascal %+rel_mid_change
			*set pop_school %+secondary_mid_change
			Javi rounds on you, furious. "What are you talking about?"

			"Oh, don't worry, I'm just teasing," you say. You grin at Pascal, who claps the seething Javi on the back.
			*goto hall_cheer
		*else
			*set rel_pascal %+rel_mid_change
			*set pop_school %-secondary_mid_change
			Javi gives you a level look. "I have no idea what you're talking about."

			"I'm just teasing," you say, but $!{headteacher_name} looks taken aback.
			*goto hall_uncertain
	#I duck out of the speech altogether.
		*set rel_trevelyan %+secondary_mid_change
		You shake your head at Pascal and try to withdraw with Asher into the crowd.		
		*if forceful < forceful_mid_pass
			*set rel_pascal %+rel_mid_change
			Pascal nods to you and rallies cheerfully. "Thank you, $!{javi_title} Javi. And I can certainly say on behalf of $!{pc_title} $!{raname} that ${rahe} had a wonderful time."
			*label hall_cheer

			The hall erupts in cheering. $!{headteacher_name} looks
			*if ((headteacher = 1) or (headteacher = 2))
				restrained but pleased,
			*elseif ((headteacher = 3) or (headteacher = 5))
				fiercely pleased,
			*elseif headteacher = 4
				deeply relieved,
			*else
				*bug headteacher = ${headteacher}, expected value 1-5
			and claps along with the enthusiastic crowd.			
		*else
			*set rel_pascal %+rel_mid_change
			*set pop_school %-secondary_mid_change
			Pascal gives you a questioning look. "Oh?" he says. "Are you not…? Oh, very well. Thank you to $!{gallatin_name} on behalf of Archambault Academy!"
			*label hall_uncertain

			The crowd doesn't seem to know what to do. Applause rings out, but you catch an edge of uncertainty in the atmosphere.
*page_break
The party draws to a close, and the teachers usher you and the other Academy students to the doors. You follow them, blinking, into the darkness. As you head for the warm pools of light at the drive, the bite of winter in the air hits you; as though ${asher_he} @{asher_singular feels|feel} the chill on your skin, Asher shivers.

"May I help you with your coat?" ${asher_he} @{asher_singular says|say}.
*fake_choice
	#I take the coat from ${asher_him} and put it on myself.
		*set asher_diffident %-opposed_mid_change
		@{(authoritative > appealing) "I'm capable of doing it myself,"|"You don't need to do everything for me,"} you say.
		*if romance_expressed_asher

			As you take the coat from Asher, ${asher_his} gloved hands brush yours. You hear ${asher_his} faint intake of breath, but the lights are not bright enough to see ${asher_his} face.

		You pull on your coat, enjoying the warmth of good fabric surrounding you, and together, you walk down the drive.
	#I link arms with ${asher_him}.
		*set asher_diffident %-opposed_mid_change
		*if romance_expressed_asher
			You hear Asher's faint intake of breath, but the lights are not bright enough to see ${asher_his} expression. "Oh," ${asher_he} @{asher_singular says|say}, and then ${asher_he} @{asher_singular falls|fall} silent.

			$!{asher_his} side is warm against yours as you walk.
		*else
			"What are you…?" Asher starts to say, but ${asher_he} @{asher_singular does|do} not question any further.

			Together, you walk down the drive.
	#I let ${asher_him} put the coat on me.
		*set asher_diffident %+opposed_mid_change
		*gosub asher_coat
			
		Savoring the warmth of good fabric surrounding you, you walk down the drive with Asher at your side.
	*if (((raasexual = false) or ((raaromantic = false) or (ragreyaro))) and (romance_rejected_asher = false)) #I lean close while ${asher_he} @{asher_singular puts|put} the coat on me.
		*set asher_diffident %+opposed_mid_change
		*set asher_flirt +1
		*gosub asher_coat

		You take the opportunity to lean in against Asher while ${asher_he} @{asher_singular does|do} it. $!{asher_he} @{asher_singular is|are} warm, and solid, and you feel a faint intake of breath from ${asher_him}.

		"I—" ${asher_he} @{asher_singular starts|start} to say, but the lights are not bright enough to see ${asher_his} expression. $!{asher_he} @{asher_singular swallows|swallow} and @{asher_singular falls|fall} silent.

		Together, you walk down the drive.
The carriages await.
*choice
	#Save and continue to Chapter 3.
		*save_checkpoint chapter_3
		*finish
	#Continue to Chapter 3 without saving.
		*finish
	*if ((choice_randomtest = false) and (choice_saved_checkpoint_chapter_2)) #Return to the start of this chapter.
		*restore_checkpoint chapter_2
	*if ((choice_randomtest = false) and (choice_saved_checkpoint_chapter_1)) #Return to the start of Chapter 1.
		*restore_checkpoint chapter_1

*label outfitchoice
*fake_choice
	#I make myself look more glamorous.
		*set outfit_ch2_ra 1
		You roll pomade in your palms and comb it through your
		*if ((haircolour = 1) or (haircolour = 2))
			dark
		*elseif haircolour = 3
			pale
		*else
			red
		hair with your fingers, giving your silhouette a stylish look. Your @{uniformstyle skirt sits at just the right length|skirt swishes satisfyingly around your legs|dress fits just right|pants sit just right on your hips|pants swish satisfyingly around your legs|culottes swish satisfyingly around your legs|}.
	#I adjust my uniform to make it more revealing.
		*set outfit_ch2_ra 2
		You unfasten a couple of shirt buttons, and pull your shirt closer around your body. Adjusting your @{uniformstyle skirt, you shift it so it shows more of your thighs|skirt, you shift it so it shows more of your calves|dress, you shift it so it shows more of your chest|pants, you draw them a little tighter at your hips|pants, you draw them tighter around your hips|culottes, you draw them tighter around your hips|}. It's not as outrageous as it could be, but you'll certainly draw extra attention.
	#I make sure my clothes look precisely correct.
		*set outfit_ch2_ra 3
		You adjust your shirt collar and sleeves so they are stiff and secure, and fix a tiny scuff on one of your shoes. Very carefully you snip a loose thread on the hem of your @{uniformstyle skirt|skirt|pinafore|pants|pants|culottes|}, to make sure your clothes are flawless.
	#I want to look artfully scruffy.
		*set outfit_ch2_ra 4
		You ruffle your
		*if ((haircolour = 1) or (haircolour = 2))
			dark
		*elseif haircolour = 3
			pale
		*else
			red
		hair, untuck your shirt, and unbutton your cuffs, rolling your sleeves up your arms. You look like someone who is far too occupied with other, more interesting, things to care about your appearance.
	#I make no particular change to how I look.
		*set outfit_ch2_ra 5
		You glance at your reflection in the mirror and decide not to make any big effort. If others feel like doing it, that's their decision.
*return

*label dominiquesit
Dominique settles down and pulls up ${dominique_his} feet, crossing ${dominique_his} legs. In the dim shadows of the carriage, you can see ${dominique_his}
*return

*label stage_summary
You ascend the stage while Asher skulks at the side, and survey the hall.
*if (not(romance_expressed_dominique))
	Dominique looks like ${dominique_he} @{dominique_singular was|were} in the middle of trying to flirt with Hyacinthe, whose attention is far more focused on you and Javi.
*else
	Dominique's in the middle of chatting with Hyacinthe, but Hyacinthe's attention is far more focused on you and Javi.
Beaumont is sitting close to Trevelyan, arms folded, expression stormy;
*if carriageride = 1
	perhaps ${beaumont_he} got the argument ${beaumont_he} @{beaumont_singular was|were} looking for.
*else
	it looks like they were having an argument.
*return

*label asher_coat
@{(authoritative > appealing) "Do,"|"Please do,"} you say.

Asher holds the coat for you at precisely the right height, then buttons it for you.
*if romance_expressed_asher
	$!{asher_his} movements are meticulous; ${asher_he} @{asher_singular is|are} careful to avoid even the most innocuous of touches. Yet you can still feel the faintest brush of ${asher_his} hands against fabric.
*return